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Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to "hear" the film score, but to understand it in relation to what they "see." Unlike earlier books, which offered historical, technical, and sociopolitical analyses, Overtones and Undertones draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response...
Up-close and personal views, by the renowned music critic and orchestra administrator, of musical luminaries from Alfred Brendel to Jessye Norman and beyond. Star Turns and Cameo Appearances is the entertaining and insightful memoir by veteran music critic Bernard Jacobson. Its pages are populated by eminent composers ranging from Hans Werner Henze to Andrzej Panufnik and by renowned performers, including Georg Solti, Daniel Barenboim, Sviatoslav Richter, and Jessye Norman. As a music critic and orchestra administrator, Jacobson has had the opportunity to observe these outstanding musicians andmany of their colleagues at close quarters. Assisting Riccardo Muti at the Philadelphia Orchestra f...
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important a...
(Applause Books). Playwright Wendy Wasserstein is, above all, a social historian. Her plays balance drama and comedy to address such issues as social class and Jewish-American identity. Most notably, however, WassersteinOs work explores the lives and struggles of women. Although she never wanted to be called a feminist playwright, her plays ask whether women can have both satisfying careers and families, concluding that even well-educated women have not yet achieved parity with men. In Reading the Plays of Wendy Wasserstein, author Jan Balakian places WassersteinOs seven major plays in a historical context. Close readings of each play are interwoven with discussion of such topics as the Gild...
The Facts On File Guide to Research is a comprehensive guide to doing thorough and accurate research. It includes a detailed listing of available resources and explains general research methods and proper citation of sources. An invaluable reference, this book helps researchers make use of the many new resources available today. Divided into four sections, this easy-to-use guide helps students and general readers prepare for research papers and class studies. Step-by-step guides, detailed explanations, and valuable appendixes covering style guides, such as APA. MLA, and The Chicago Manual of Style, combine to create an incredibly authoritative accessible reference.
A collection of interviews with major orchestra conductors which explores the impact of recording technology on contemporary musical culture. This work discusses the digital revolution and progress of the compact disc along with the listening public's changing perception of music.
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There is an undeniable fascination in reading the words that composers write. Whenever a composer puts finger to typewriter rather than pencil to manuscript paper, we inevitably hope that he might proffer us some insights into the workings of the creative musical mind ? that source of much mystery since the act of composition left the realm of low artisanship for that of High Art some two or three centuries ago. Composers who deal with words as naturally as they write notes are, however, a breed of exceeding rarity. Ronald Stevenson belongs amongst them and the proof of it is to be found amply in this book.
" . . . Strickland's own deep involvement with the works of these composers [is] revealed by the questions and comments he poses in an appreciative, Paterian way. His profound pleasure in these works also leads him to scrutinize and challenge them intimately." —Publishers Weekly "This is an indispensable book about American music . . . " —Fanfare " . . . exhilarating . . . Any of the interviews in American Composers will stimulate your curiosity and appetite." —Hungry Mind Review " . . . not only engaging, but also a useful representation of the major compositional styles of the 1980s and their corresponding practitioners." —Notes Philip Glass, Keith Jarrett, Meredith Monk, and eight other active American composers reveal a broad spectrum of musical personalities in these candid, in-depth conversations. Witty and articulate, their remarks convey the great vitality, diversity, and distinctiveness of today's American music.