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Movies can and do have tremendous influence in shaping young lives in the realm of entertainment towards the ideals and objectives of normal adulthood.-Walt Disney Today's youth are growing up in a culture where films are no longer relegated to the big screen and the family television. Movies have spilled onto our computers, our tablets, and even our smartphones. Our young people are saturated in a movie-watching ethos, yet they often don't know how to process the films they consume. How can we guide teens and young adults into viewing films through a Jesus-colored lens? Drawing on engaging stories and thoughtful cultural critique, Jesus Goes to the Movies provides a framework for discipleship and faith formation. It offers youth workers a theology of movies that can be passed to the next generation, equipping them with critical-thinking skills, discernment, and the ability to engage the film culture surrounding them with wisdom, grace, and truth.
Films are modern spiritual phenomena. They function as such in at least three profound ways: world projection, thought experiments, and catharsis (i.e., as dreams, doubt, and dread). Understanding film in this way allows for a theological account of the experience that speaks to the religious possibilities of film that far extend the portrayal of religious themes or content. Dreams, Doubt, and Dread: The Spiritual in Film aims to address films as spiritual experiences. This collection of short essays and dialogues examines films phenomenologically--through the experience of the viewer as an agent having been acted upon in the functioning of the film itself. Authors were invited to take one o...
The Dardenne Brothers’ Cinematic Parables examines the work of Belgian filmmakers Jean-Pierre and Luc Dardenne, who have been celebrated for their powerfully affecting social realist films. Though the Dardenne brothers’ films rarely mention religion or God, they have received wide recognition for their moral complexity and spiritual resonance. This book brings the Dardennes’ filmography into consideration with theological aesthetics, Christian ethics, phenomenological film theory, and continental philosophy. The author explores the brothers’ nine major films—beginning with The Promise (1996) and culminating in Young Ahmed (2019)—through the hermeneutics of philosopher Paul Ricoeu...
Updated and expanded—with a new foreword by Kristin Kobes Du Mez, author of Jesus and John Wayne—Malestrom provides a redemptive vision of biblical manhood and a way through the treacherous seas of patriarchy. Like the danger of a maelstrom in the open seas, a relentless force threatens our culture, swirling with hidden currents that distorts God's image of personhood. This book reveals how the malestrom is one of the Enemy's single most successful strategies. Its victories are flashed before us every day in the headlines as men lose sight of who God created them to be. It has consumed the evangelical church that stoops to offering toxic "manly" solutions to the wrongs it perceives in so...
Today’s 16–30 year olds are looking for connection to something bigger than themselves. They want something that works and is honest, authentic. Something that they can actually experience. Something that gives them hope. The Way offers a way that works. A way that matters. A way that asks them to step up to something important enough—big enough—to live for. It’s a visual, textual, and interactive experience for a generation that has blurred the boundaries of media. It’s an interactive experience for those ready for collaboration, change, and a challenge. The Way connects a restless generation, a generation looking for direction, to Jesus—the Way, the Truth, and the Life. It uses first-person stories, reflections, and questions that bring the Bible to the real world.
Provides a contemporary view of the intertwined relationship of communication and religion The Handbook on Religion and Communication presents a detailed investigation of the complex interaction between media and religion, offering diverse perspectives on how both traditional and new media sources continue to impact religious belief and practice across multiple faiths around the globe. Contributions from leading international scholars address key themes such as the changing role of religious authority in the digital age, the role of media in cultural shifts away from religious institutions, and the ways modern technologies have transformed how religion is communicated and portrayed. Divided ...
A light take on the darkly comic show The Good Placeand its lasting impact on American television culture. "Pobody's nerfect" - or whatever the saying might be! As humans we are constantly worried about how our actions may come back to haunt us. The Good Place(2016–2020) is a high-concept American sitcom that brought light to the dark topic of the afterlife, and the show tackled this worry head-on. Although it had a life span of only four seasons, The Good Placemade a lasting impact on American television culture and garnered many accolades for producer Michael Schur (also producer of The Office, Parks and Recreation,and Brooklyn Nine-Nine). Author Erin Giannini argues that the show redefi...
This book explores significant representations of Shinto and Buddhist sacred space, spiritual symbols, and religious concepts that are embedded in the secular framework of Japanese films aimed at general audiences in Japan and globally. These cinematic masterpieces by directors Akira Kurosawa, Hayao Miyazaki, Hirokazu Kore-eda, and Makoto Shinkai operate as expressions of and, potentially, catalysts for transcendence of various kinds, particularly during the Heisei era (1989–2019), when Japan experienced severe economic hardship and devastating natural disasters. The book’s approach to aesthetics and religion employs the multifaceted concepts of ma (structuring intervals, liminal space-t...
This book provides an innovative analysis of the survival movie genre from an Orthodox Christian anthropological perspective. Grounded in the Orthodox tradition, the approach builds from the first chapter of Genesis where man is described as made in the ‘image’ and after the ‘likeness’ of God. It offers a nuanced theological exploration of the concept of the survival movie and examines a number of significant cinematic creations, illustrating how issues of survival intersect romantic, Western, science fiction and war films. The author reflects on how survival movies offer a path for the study of human nature given they depict people in crisis situations where they may reveal their true characters. As well as discussing the role of a ‘limit situation’ as a narrative element, the book highlights the spiritual aspect of survival and points to the common hope in survival movies for something more than biological survival. It is valuable reading for scholars working in the field of religion and film.