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Joel-Peter Witkin. Ediz. italiana e inglese
This pocket-size catalogue of the American artist Joel-Peter Witkin's inimitable work includes a selection of more than 50 astonishing photographs, a collection that expresses the artist's unique point of view on an extraordinary segment of humanity. Witkin's powerful and transgressive images are renowned for their depiction of outsiders including dwarves, transsexuals, hermaphrodites and physically deformed people. They are equally appreciated for their high aesthetic refinement, referencing classical paintings, Baroque art, Surrealism and other genres including still lifes and religious episodes. Witkin has said that his vision and sensibility were initiated by an episode he witnessed as a small child--a car accident in front of his house in which a little girl was decapitated. He has also said that difficulties in his family were an influence: his Jewish father and Catholic mother parted over religious differences.
Joel-Peter Witkin
This volume - investigating the work of a particular photographer, in this case, Joel-Peter Witkin - comprises a 4000-word essay by an expert in the field, 55 photographs presented chronologically, each with a commentary, and a biography of the featured photographer.
Joel-Peter Witkin
Announcing a new volume of Pfleger/Maurer/Weber: Mass Spectral and GC Data of Drugs, Poisons, Pesticides, Pollutants and Their Metabolites. Unmatched in scope, quality and reliability, this collection is the result of a unique effort. Part 4 of this famous reference work contains - 2000 new mass spectra (more than 6300 in Part 1-4) - data of nearly all the new drugs relevant to clinical and forensic toxicology, doping control, food chemistry, etc. - nearly complete coverage of trimethylsilylated, perfluoroacylated, perfluoroalkylated and methylated compounds - data revision of already published volumes in this second edition - updated sections on sample preparation and GC-MS methods - tables...
Joel-Peter Witkin
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The Bone House
This is a retrospective look at the work of one of the late twentieth century's most profound and disturbing artists. For this collection Joel-Peter Witkin has personally selected from his own archives his finest images, ranging from his early Coney Island "freak show" studies to his most recent work. Witkin's portraits of subjects both living and dead have disturbed countless viewers for their unwavering viewpoint and magically grotesque compositions. The artist's sojourn captured here, with each photograph a station along his path, veers between oblivion and salvation. This book depicts Witkin's journey until now. Texts by the artist and Eugenia Parry.
Witkin
Few living photographers are as consistently controversial and provocative as Joel-Peter Witkin, whose work elicits hostility and admiration in equal measure. Shocking and compelling, the photographs in this retrospective collection reach to the outer limits of human nature. 100 full-page reproductions, printed in four colors.
Joel-Peter Witkin
Apôtre de la "désagréable beauté" et de l'anormalité, sans cesse à la recherche de personnages d'exception, difformes ou monstrueux, Joel-Peter Witkin donne à des images qui pourraient n'être que provocatrices une dimension d'icônes laïques, d'allégories sacrificielles. C'est Soutine ou Bataille qu'il faut citer pour trouver des similitudes dans l'art de sublimer l'horreur. L'œuvre de Witkin est une danse de mort, somptueusement mise en scène par le plus visionnaire des photographes.
SONGS OF EXPERIENCE (With Illuminated Manuscript)
Shewing the Two Contrary States of the Human Soul (first published in 1794), an expansion of Blake's first illuminated book Songs of Innocence. The poems and artwork were reproduced by copperplate engraving and colored with washes by hand. Blake republished Songs of Innocence and Experience several times, often changing the number and order of the plates. The spellings, punctuation and capitalizations are those of the original Blake manuscripts. William Blake (1757 – 1827) was a British poet, painter, visionary mystic, and engraver, who illustrated and printed his own books. Blake proclaimed the supremacy of the imagination over the rationalism and materialism of the 18th-century. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.
Joel Peter Witkin
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Harms Way
Inevitable death and our agony to attain Utopia have made existence a form of pathology. We are left with the secret need for redemption which few of us will understand or witness. This need still lives in acts of love, courage and art. In the images included in this book it is found in the conjoined destinies of artist and subject, phantoms on either side of that curtain we call photography. Implicit in these photographs is the brutal extreme of their purpose and an intimation however distant to their makers that something was manifested beyond the event itself.
