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José Maria Escobar (born ca. 1751) was adopted by José Miguel Antonio Ramírez, and was brought to live in Mier, Tamaulipas, Mexico when he was nine years old. Maria Antonia Gertrudis Chapa was the daughter of Maria Rita López de Jaen, who was the second wife of Escobar's adoptive father. In 1770, Escobar married Maria Antonia Gertrudis Chapa. He inherited a portion of land called Porción 76 from Ramírez, and later purchased the remainder of Porción 76 from his mother in law and step-mother, Maria Rita López de Jaen. The property was in Mier, which later became part of Starr County, Texas. Escobar ancestors came from Spain to Mexico, some being soldiers with Cortez at Vera Cruz in 1519. Members of the Escobar family lived in Texas and northern Mexico, along the Rio Grande River. They settled mainly at Escobares, Los Sáenz, La Rosita, Roma (Roma-Los Sáenz), and Rio Grande City. Others moved to California, New York, Ohio, Washington D.C., and elsewhere.
The Santa Ana National Wildlife Refuge lies on the northern bank of the Rio Grande in South Texas, about seventy miles upriver from the Gulf of Mexico. In Border Sanctuary, M.J. Morgan uncovers how 2,000 acres of rare subtropical riparian forest came to be preserved in a region otherwise dramatically altered by human habitation. The story she tells begins and ends with the efforts of the Rio Grande Valley Nature Club to protect one of the last remaining stopovers for birds migrating north from Central and South America. In between, she reconstructs a two hundred-year human and environmental history of the original “two square leagues” of the Santa Ana land grant and of the Mexican and Tejano families who lived on, worked, and ultimately helped preserve this forest on the river’s edge. As border issues continue to present serious challenges for Texas and the nation, it is especially important to be reminded of the deep connection between the region’s human and natural history from the long perspective Morgan provides here. To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.
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Francis W. Seabury (1868-1946) was born in Virginia and moved to Texas as a young man. He became a lawyer and eventually served in the state legislature. It was in this capacity that he collected and compiled a collection of genealogies of landowners in the Rio Grande region of Texas.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
"A bizarre story—full of intrigue and machinations over a half-billion dollar fortune with a cast of characters that might have been invented by Balzac." —Richard Lindsey, author of The Falcon and the Snowman This is a story of a vast cattle and oil fortune left hanging by the thread of a widow's dying wish; a story of prodigious egos and ambitions competing for the fortune before the widow was even buried; a story about a legal battle that has lasted a quarter-century and has swept like a range fire from dusty cow-town courtrooms to the marble halls of the Vatican, pitting captains of industry against princes of the Church. And if it had happened anywhere other than Texas, you probably ...
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
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"[An] incredibly moving collection of oral histories . . . important enough to be added to the history curriculum" Telegraph "A moving evocation of the 'everyday terror' systematically perpetrated over 41 years of Albanian communism . . . An illuminating if harrowing insight into life in a totalitarian state." Clarissa de Waal, author of ALBANIA: PORTRAIT OF A COUNTRY IN TRANSITION "Albania, enigmatic, mysterious Albania, was always the untold story of the Cold War, the 1989 revolutions and the fall of the Berlin Wall. Mud Sweeter Than Honey goes a very long way indeed towards putting that right" New European After breaking ties with Yugoslavia, the USSR and then China, Enver Hoxha believed ...