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Starting from the bicentenary of Helsinki University in 1840 and finishing with the opening of the University of Iceland in 1911, this volume analyses the importance of university jubilees in Northern Europe for the development of Scandinavist ideas.
Vol. 1 includes history, by-laws and membership of the society.
This book is the first complete study of the life and work of the 17th-century Dutch painter Anthonie Palamedes (1602-1673). Palamedes was active in Delft, one of the most important cities during the Dutch Golden Age, alongside Vermeer. Unlike his famous compatriot Vermeer, Anthonie Palamedes was a successful painter. He was socially acceptable, was recognized and appreciated by his colleagues, painted hundreds of pictures and achieved financial success that allowed him to live comfortably. Palamedes is therefore the embodiment of the successful painter in the Dutch "Golden Age". The book includes a biography of the painter as well as a systematic and comparative iconographical and stylistic study of his work, with an attached critical oeuvre catalogue.
The articles in this number of Romantik include new research on reverie and dream as the locus of metaphor in Percy Bysshe Shelley's Prometheus Unbound; an enquiry into the Royal Swedish Society for the Publication of Manuscripts Relating to Scandinavian History and the role it played in the construction of national memory and heritage; a discussion of Philippe Jacques de Loutherbourg's and John Martin's iconographies of the sublime in the intersection between art and popular visual spectacle; archival discoveries related to the publication of medieval romance in early nineteenth-century Britain; and a reassessment of The Prelude as a formation narrative, arguing that William Wordsworth displays a conflicted attitude to the growth and progress usually found in the Bildungsroman. The journal also contains reviews of new books on the romantic period published in the Nordic countries.
This book challenges earlier understandings of early modern dissertations as unimaginative academic exercises. It argues for their continuous importance in scholarly and scientific discourse, and describes the richness and diversity of their subjects and themes. The book contains a complete catalogue of the almost 20,000 Swedish dissertations defended in Uppsala, Lund and Åbo, 1600 to 1820. The catalogue includes longer comments and descriptions of a few thousand of these dissertations, and also gives an analysis of how different subjects have evolved over time.
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