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This study concerns itself with a now-forgotten religious group, Spiritualists, and how their ensuing discussions of Shakespeare's meaning, his writing practices, his possible collaborations, and the supposed purity and/or corruption of his texts anticipated, accompanied, or silhouetted similar debates in Shakespeare Studies.
In Divine Providence, Swedish scientist-turned-seer Emanuel Swedenborg undertakes the difficult task of bridging his transcendent vision of a perfectly loving God with the sometimes unloving world where we all live.
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While many of Emanuel Swedenborgs writings rely heavily on the Bible, Divine Love and Wisdom appeals directly to human experience. It describes a loving God who is equally present with all people on earthregardless of race or religionand explores the underlying unity of all living things.
Rebecca K. Esterson explores how Christian methods of biblical interpretation shifted during the eighteenth century, producing a rhetorical rejection of allegory while embracing literalism. Under the influence of Enlightenment concepts of human reason and advances in the experimental sciences, Christian interpreters began casting Jewish biblical interpretation as allegorical, while presenting Christian interpretation as literal. This shift in self-understanding allowed Christians to portray their own interpretations as scientifically, philosophically, and historically superior, resulting in a new way of othering the Jewish people. This study of biblical exegesis, theology, philosophy, and the arts in English, Swedish, and German contexts is an essential resource for scholars interested in biblical reception history and the history of Jewish-Christian relations.