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Translations are crucial to the flow of themes, images, forms and ideas across boundaries. They constitute a special case of cultural dynamics as, in a sense, they are existing texts revived in a new form. The introduction of textual works in a target culture involves a high degree of strategy and control. These moments of control, selection and influence deserve special attention in cultural, receptional, and translation-historical studies. The essays in this yearbook address aspects of the central topic: the impact of translations on cultural-historical developments in Europe. First and foremost is the question which works were selected and why, and next which were neglected and why. In a ...
This is an account of the growth and uses of Western learning in Japan from 1720 to 1830. These are the dates of the beginning of official interest in Western learning and of the expulsion of Siebold from the country, the first stage of a crisis that could be resolved only by the opening of the country of the West. The century and more included by the two dates was a most important period in Japanese history, when intellectuals, rebelling at the isolation of their country, desperately sought knowledge from abroad. The amazing energy and enthusiasm of men like Honda Toshiaki made possible the spectacular changes in Japan, which are all too often credited to the arrival of Commodore Perry. The...
A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce. Cohen begins with opera's emergence under Medici absolutism in Flor...
Reprint of the original, first published in 1870.