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"The secret of the kingdom of God has been given to you," Christ told his followers. And a few fishermen, a tax collector, and a motley group of believers set out to change the world. In fact, they succeeded.In 16th century Europe, the Anabaptists preaching in cities by night, on back streets, and in secret corners behind rail fences set out to do the very thing the apostles had done. They, too, turned the world of their day upside down. What was the secret of their strength? In this book, Hoover explains what gave the Anabaptists their incredible spiritual strength.Was their secret a return to the Bible? No, they were far more than Biblicists. Was it a return to apostolic tradition? No, the...
This book describes the role of the medieval Orthodox Church in the Byzantine Empire (c.600-c.1453). As an integral part of its policy it was (as in western Christianity) closely linked with many aspects of everyday life both official and otherwise. It was a formative period for Orthodoxy. It had to face doctrinal problems and heresies; at the same time it experienced the continuity and deepening of its liturgical life. While holding fast to the traditions of the fathers and the councils, it saw certain developments in doctrine and liturgy as also in administration. Part I discusses the landmarks in ecclesiastical affairs within the Empire as well as the creative influence exercised on the Slavs and the increasing contacts with westerners particularly after 1204. Part II gives a brief account of the structure of the medieval Orthodox Church, its officials and organization, and the spirituality of laity, monks, and clergy.
It's a critical cliché that Cervantes' Don Quixote is the first modern novel, but this distinction raises two fundamental questions. First, how does one define a novel? And second, what is the relationship between this genre and understandings of modernity? In Forms of Modernity, Rachel Schmidt examines how seminal theorists and philosophers have wrestled with the status of Cervantes' masterpiece as an 'exemplary novel', in turn contributing to the emergence of key concepts within genre theory. Schmidt's discussion covers the views of well-known thinkers such as Friedrich Schlegel, José Ortega y Gasset, and Mikhail Bakhtin, but also the pivotal contributions of philosophers such as Hermann Cohen and Miguel de Unamuno. These theorists' examinations of Cervantes's fictional knight errant character point to an ever-shifting boundary between the real and the virtual. Drawing from both intellectual and literary history, Forms of Modernity richly explores the development of the categories and theories that we use today to analyze and understand novels.
This book explores the work of Sir John Tenniel, the artist who illustrated the first editions of Lewis Carroll's best-known works. Although Tenniel and Carroll parted ways after publication of Through the Looking-Glass, the artist's designs fixed in the public's mind images of Carroll's characters that thrive down to the present day.
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In 1908, Arthur Wavell left England to begin his journey to Mecca, determined to find out more about Arab customs with a view to future adventures into the unexplored interior of Arabia. Due to the suspicion a westerner would arouse, and the fact that unbelievers were forbidden by the authorities to enter Mecca, he undertook his pilgrimage in disguise. His journey to Damascus, Medina, and finally Mecca with his two companions-a Swahili Muslim from Mombasa and an Arab from Aleppo-is detailed in the first part of this reprint, which was originally published in 1912. Additionally, the book describes Wavell's abortive attempt to explore south central Arabia, including his capture and expulsion from Yemen by the Turkish authorities. A Modern Pilgrim in Mecca, now back in print, will be of great value to historians, to scholars of the region or period, and to armchair adventurers.
An elucidation of ideas and insights generated by the paradigm of "early vision," presented in the form of dialogues.