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The "Cabinet of Curiosities," an early modern phenomenon some historians view as the forerunner of the modern museum, has evinced considerable interest in recent years. Increasing attention has also been paid to the history of travel and its documentation. The collector John Bargrave (1610-80) holds a unique position at the intersection of these two areas of cultural practice, yet this is the first in-depth study of his life, and it is the first to assess his significance for contemporary cultural studies.
This journal of Robert Bargrave (1628-61) records his extensive travels as a merchant between 1647 and 1656. The manuscript describes his four separate journeys. The introduction explains the political, religious and personal affiliations of the Bargraves, a prominent Kentish family.
With essays by Charles Saumarez Smith, Ludmilla Jordanova, Paul Greenhalgh, Colin Sorensen, Nick Merriman, Stephen Bann, Philip Wright, Norman Palmer and Peter Vergo. "A lively and controversial symposium ... thought-provoking"—The Sunday Times (Paperbacks of the Year, 1989) "The essays are all distinguished by their topicality and lucidity."—MuseumNews "A welcome addition to the library of Museology"—Art Monthly "The New Museology is essential reading for all those seeking to understand the current debate in museum ideologies."—International Journal of Museum Management and Scholarship
This collection of essays concentrates on the structures and connections which have made it possible, over the last two centuries, for an integrated regime of historical representation to emerge. It also touches upon the debate about the contemporary uses of history - whether it is a matter of new versus traditional approaches to the school curriculum, or of the need to historicize museums, houses and gardens and so avoid the blandness of an uninformed display.
Unlike other studies of the Grand Tour, this book deals not so much with the fully-fledged 18th-century phenomenon, but rather with the 16th and 17th centuries and the way in which the English became conscious of the Italian Renaissance and thereby discovered classical antiquity itself. Revised essays document the lives and travels of the personalities who contributed to establishing a convention which eventually came to dominate European culture. An epilogue pays tribute to Sir Harold Acton (1904-1994). Distributed by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR
How do some monuments become so socially powerful that people seek to destroy them? After ignoring monuments for years, why must we now commemorate public trauma, but not triumph, with a monument? To explore these and other questions, Robert S. Nelson and Margaret Olin assembled essays from leading scholars about how monuments have functioned throughout the world and how globalization has challenged Western notions of the "monument." Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Connecting that history to the present with an epilogue on the World Trade Center, Monuments and Memory, Made and Unmade is pertinent not only for art historians but for anyone interested in the turbulent history of monuments—a history that is still very much with us today. Contributors: Stephen Bann, Jonathan Bordo, Julia Bryan-Wilson, Jas Elsner, Tapati Guha-Thakurta, Robert S. Nelson, Margaret Olin, Ruth B. Phillips, Mitchell Schwarzer, Lillian Lan-ying Tseng, Richard Wittman, Wu Hung
"This book was conceived as an attempt to bring together from as many English sources as survive a comprehensive account of emigration to the New World from its beginnings to 1660"--Introduction.