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Captures the essence of the era in a lively study of its politics, personalities, technical innovations, arts and preoccupations. Includes chapters on the Prince of Wales, the Boer War, High Society and working class, the Middle Classes, writers, music, artists and craftsmen, the theatre, music hall and vaudeville, the press, the constitutional crisis, bosses and workers, suffragettes, the Titanic, Russian ballet, science and Gowland Hopkins, ragtime, Ulster and Home rule, etc.
The medieval and modern world collide, when an enchantor named Malgrim gives Princess Melicent of Camelot a magic mirror in which she can see the face of anyone who thinks of her. Meanwhile, in the twentieth century, Sam Penty, dreaming up a new campaign for his ad agency's stocking account, thinks of using an illustration of an Arthurian princess.
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Gregory Dawson, a middle-aged and disillusioned writer, is holed up in a Cornish hotel working on a film script he must finish. A chance encounter with an old acquaintance in the bar sends him back to the England of 1913, when he was just eighteen and longed to enter the seemingly magical world of the glamorous Alington family and its three lovely daughters. Replaying the events of those days in his mind, Dawson relives a long-forgotten story that ended with a mysterious tragedy whose effects linger on in the present and threaten to shatter his placid existence ... In the vein of Proust's In Search of Lost Time, J. B. Priestley's Bright Day (1946) is one of his finest works and his own favor...
Discusses man's changing concepts of time through history, from primitive societies through the great ancient civilizations and European history up to the present day.
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