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In a new and updated version of this best-selling book, John McDowell explores the many spiritual themes that weave throughout the Star Wars films. From the Force to the dark side, the issues discussed in the films have a moral and spiritual complexity that, if paid attention to, can help us better understand our place in the world and our relation to others and to God. George Lucas, the creator of Star Wars, did not intend for his films to be mere entertainment, McDowell argues. Rather, he hoped his films would be used as a vehicle for moral education. This new version has been thoroughly revised to include discussion of The Force Awakens and other new developments in the Star Wars universe.
Star Wars is one of the most beloved movie series of all time, and in this book John McDowell explores the many spiritual themes that weave throughout the six films. From the Force to the dark side, the issues discussed in the films have a moral and spiritual complexity that, if paid attention to, can help us better understand our place in the world and our relation to others and to God. George Lucas, the creator of Star Wars, did not intend for his films to be mere entertainment, McDowell argues. Rather, he hoped his films would be used as a vehicle for moral education.
Against the dominant view of reductive naturalism, John McDowell argues that human life should be seen as transformed by reason so that human minds, while not supernatural, are sui generis. This collection assembles eleven critical essays that highlight the enduring significance and wide ramifications of McDowell’s unorthodox position.
This book collects some of McDowell’s most influential papers of the last two decades. The essays deal with themes such as the interpretation of Aristotle’s and Plato’s ethical writings, questions in moral philosophy that arise out of the Greek tradition, Wittengensteinian ideas about reason in action, and issues central to philosophy of mind.
The Engaged Intellect collects important essays of John McDowell. Each involves a sustained engagement with the views of an important philosopher and is characterized by a modesty that is partly temperamental and partly methodological. It is typical of McDowell to represent his own best insights either as already to be found in the writings of his heroes (Aristotle, Wittgenstein, Gadamer, and Sellars) or as inevitably emerging from a charitable modification of the views of those (such as Anscombe, Sellars, Davidson, Evans, Rorty, Dreyfus, and Brandom) subjected here to criticism. McDowell therefore develops his own philosophical picture in these pages through a method of indirection. The met...
Modern philosophy finds it difficult to give a satisfactory picture of the place of minds in the world. In Mind and World, one of the most distinguished philosophers writing today offers his diagnosis of this difficulty and points to a cure.
This short textbook, the latest volume in the Guides to Theology series, surveys key themes and aspects of Christian hope by tracing eschatological ideas as they have developed from Scripture throughout the history of theology. John McDowell and Scott Kirkland present a series of lenses on understanding eschatological statements, or the content of Christian hope. They have structured their book thematically into five chapters—four exploring apocalyptic, existential, political, and christological themes, followed by an extensive annotated bibliography. Within each chapter, McDowell and Kirkland take a history-of-ideas approach, locating the various perspectives in their historical contexts. Concise and accessible, this book is ideal for introductory undergraduate courses in eschatology.
This is a decisive volume that seeks to heal the divisions in contemporary philosophy.
The 14 specially commissioned chapters in this superb collection enrich McDowell and Dreyfus's debate over perceptual experience, rationality, reflectiveness, and perception. Mind, Reason and Being-in-the-World: The McDowell-Dreyfus Debate should be considered essential reading for both students and scholars of analytic philosophy and phenomenology.
George Lucas spoke about the didactic role of cinema and about his own work being presented through the "moral megaphone" of the film industry. A considerable body of scholarship on the six-part Star Wars series argues (unconvincingly) that the franchise promoted neo-conservatism in American culture from the late 1970s onward. But there is much in Lucas' grand space opera to suggest something more ideologically complex is going on. This book challenges the view of the saga as an unambiguously violent text exemplifying reactionary politics, and discusses the films' identity politics with regard to race and gender.