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Foundations of Sniper Marksmanship
"This book is more weighted toward the marksmanship side of things. This is because it's important to establish a solid foundation of training in the classic marksmanship positions before you start to worry about tactical application. As described in the last few editions of the American Sniper Association Sniper Utilization Survey police snipers have made successful shots against bad guys from the prone, sitting, kneeling and standing positions. It's hoped that you are reading this because you want to prepare ahead of time to attend a Snipercraft Basic or Advanced Sniper Course, because that's the intended audience of this handbook; however this text will help prepare you for any good police sniper school."--Provided by publisher.
Snipercraft
For more than three decades, John Simpson has been teaching sniping to military and police civilian shooters. As a staff instructor for Snipercraft and the Director of Precision Rifle Programs for Richland Group's James River Training System, as well as a former adjunct instructor for sniping at both the Smith & Wesson and SigArms academies, Simpson observed over and over that many of the shooters who show up for sniping school lack the marksmanship fundamentals that are essential for success as a professional sniper. Simpson wrote Snipercraft for shooters who want to solidify their marksmanship fundamentals in preparation for attending sniper school or a sniping course. In plain, nontechnical language, it lays the foundation for making a hit every time with your rifle on a four-inch-diameter cranial target when the target is not cooperating with you. It's impossible to learn how to shoot well by simply reading a book, but you can definitely learn to make precision rifle shots with the help of what's in this book. Its target audience is tactical shooters—not target shooters—who are preparing to take their rifle marksmanship to a new level.
John Simpson
The new Queen's Gallery at Buckingham Palace designed by John Simpson was opened as a centre for visual arts by Her Majesty the Queen in May 2002 as part of the celebrations for her Golden Jubilee.
We Chose to Speak of War and Strife
From distinguished foreign correspondent John Simpson, a fascinating history of what it is to risk life and limb to bring home news of the troubled world 'Great stories, sometimes harrowing, sometimes hilarious' Telegraph In corners of the globe where fault-lines seethe into bloodshed and civil war, foreign correspondents have, for hundreds of years, been engaged in uncovering the latest news and - despite obstacles bureaucratic, political, violent - reporting it by whatever means available. It's a working life that is difficult, exciting and undeniably glamorous. We Chose to Speak of War and Strife brings us pivotal moments in our history - from the Crimean War to Vietnam; the siege of Sara...
Unreliable Sources
One of the greatest reporters of his day writes a brilliant and typically opinionated account of how the British press has reported key moments in our historyThrough many decades of groundbreaking journalism, John Simpson has become not only one of the most recognisable and trusted British personalities, but has transferred his skill to books with multiple bestselling success. With his new book he turns his eye to how Great Britain has been transformed by its free press down the years. He shows how, while the press likes to pretend it's independent, they have enjoyed the power they have over the events they report and have at times exercised it irresponsibly. He examines how it changed the w...
The Word Detective
Language is always changing. No one knows where it is going but the best way to future-cast is to look at the past. John Simpson animates for us a tradition of researching and editing, showing us both the technical lexicography needed to understand a word, and the careful poetry needed to construct its definition. He challenges both the idea that dictionaries are definitive, and the notion that language is falling apart. With a sense of humour, an ability to laugh at bureaucracy and an inclination to question the status quo, John Simpson gives life to the colourful characters at the OED and to the English language itself. He splices his stories with entertaining and erudite diversions into the history and origin of words such as 'kangaroo', 'hot-dog' , 'pommie', 'bicycle' , not ignoring those swearwords often classed as 'Anglo-Saxon' ! The book will speak to anyone who uses a dictionary, 'word people' , history lovers, students and parents.
Moscow, Midnight
Government minister Patrick Macready has been found dead in his flat. The coroner rules it an accident, a sex game gone wrong. Jon Swift is from the old stock of journos - cynical, cantankerous and overweight - and something about his friend's death doesn't seem right. Then days after Macready's flat is apparently burgled, Swift discovers that his friend had been researching a string of Russian government figures who had met similarly 'accidental' fates. When the police refuse to investigate further, Swift gets in touch with his contacts in Moscow, determined to find out if his hunch is correct. Following the lead, he is soon drawn into a violent underworld, where whispers of conspiracies, assassinations and double-agents start blurring the line between friend and foe. But the truth will come at a price, and it may cost him everything.
Our Friends in Beijing
Jon Swift is in trouble. His journalism career is in freefall. He's too old to be part of the new world order and he's never learned to suck up to those in charge. But experience has taught him to trust his instincts. When, for the first time in years, Jon runs into Lin Lifeng in a café in Oxford he wonders if the meeting is a coincidence. When Lin asks him to pass on a coded message, he knows it's not. Travelling to Beijing, Jon starts to follow a tangled web in which it is hard to know who he can trust. Under the watchful eyes of an international network of spies, double-agents and politicians, all with a ruthless desire for power, Jon is in a high-stakes race to expose the truth, before it's too late.
