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Theatre Craft
Theatre Craft is an all-encompassing, practical guide for anyone working in the theatre, from the enthusiastic amateur to the committed professional. With entries arranged alphabetically, Theatre Craft offers advice on all areas of directing, from Acting, Adaptation, and Accent to Sound Effects, Superstition, Trap Doors and Wardrobe. Enlightening and entertaining by turns, the celebrated director John Caird shares his profound knowledge of the stage to provide an invaluable companion to anyone creating a play, musical or opera. Whatever the theatre space - the backroom of a bar, a studio theatre, or the biggest stages of the West End or Broadway - this authoritative volume is an essential reference tool for the modern theatre practitioner. Internationally renowned theatre director John Caird has directed and adapted countless productions of plays, operas, and musicals for the Royal Shakespeare Company, London's National Theatre, in the West End, and on Broadway-from Les Misérables and Nicholas Nickleby to Hamlet and Peter Pan.
Peter Pan, Or, The Boy who Would Not Grow Up
In Never-Never Land there is much excitement and children never grow up. Though Michael, John and Wendy go there with Peter Pan, they stay only a short time.
The History of Scottish Theology, Volume III
This three-volume series provides a critical examination of the history of theology in Scotland from the early middle ages to the close of the twentieth century. In Volume Three, the 'long twentieth century' is examined with reference to changes in Scottish church life and society.
Theatre Craft
Theatre Craft is an all-encompassing practical guide for anyone working in the theatre, from the enthusiastic amateur to the committed professional. With entries arranged alphabetically, Theatre Craft offers advice on all areas of directing, from Acting, Adaptation, and Accent to Sound Effects, Superstition, Trap Doors, and Wardrobe. Enlightening and entertaining by turns, the celebrated director John Caird, honorary associate director for the Royal Shakespeare Company, shares his profound knowledge and wealth of international experience to provide an invaluable companion for anyone creating any size of play, musical, or opera—from the back room of a bar to a full-scale production on Broadway. This is required reading for the modern theatre practitioner.
Handbook of Driving Simulation for Engineering, Medicine, and Psychology
Effective use of driving simulators requires considerable technical and methodological skill along with considerable background knowledge. Acquiring the requisite knowledge and skills can be extraordinarily time consuming, yet there has been no single convenient and comprehensive source of information on the driving simulation research being conduc
God and History
Newman's revised Essay on the Development of Doctrine provides the starting point for this new and comprehensive survey, in which Peter Hinchliff discusses the ideas of wide range of theologians from the full spectrum of Christianity--from Roman Catholics through to theologians from the Churches of England and Scotland, and the Free Church--and their attempts to tackle these questions in the period leading up to the Great War.
Inside the Royal Shakespeare Company
This is the inside story of the Royal Shakespeare Company - a running historical critique of a major national institution and its location within British culture, as related by a writer who is uniquely placed to tell the tale. It describes what happened to a radical theatrical vision and explores British society's inability to sustain that vision. Spanning four decades and four artistic directors, Inside the Royal Shakespeare Company is a multi-layered chronicle that traces the company's history, offers investigation into its working methods, its repertoire, its people and its politics, and considers what the future holds for this bastion of high culture now in crisis. Inside the Royal Shakespeare Company is compelling reading for anyone who wishes to explore behind the scenes and consider the changing role of theatre in modern cultural life. It offers a timely analysis of the fight for creative expression within any artistic or cultural organisation, and a vital document of our times.
The Unknowable
W. J. Mander presents a history of metaphysics in nineteenth-century Britain. The story focuses on the elaboration of, and differing reactions to, the concept of the unknowable or unconditioned, first developed by Sir William Hamilton in the 1829. The idea of an ultimate but unknowable way that things really are in themselves may be seen as supplying a narrative arc that runs right through the metaphysical systems of the period in question. These thought schemes may be divided into three broad groups which were roughly consecutive in their emergence but also overlapping as they continued to develop. In the first instance there were the doctrines of the agnostics who developed further Hamilto...
Scottish Philosophical Theology
This volume concentrates on the period from the beginning of the 18th century to the latter part of the 20th. It is impossible to depict a single school of philosophical theology in Scotland across three centuries, yet several strains have been identified that suggest some recurrent themes or intellectual habits. These include the following: the mutually beneficial cross-fertilisation of the disciplines of philosophy and theology; the tendency to eschew powerful philosophical systems that might threaten to imprison theological ideas; a stress on both the providential limitations and reliability of human reason; a suspicion of reductive theories of a materialist inclination; and a determination to inspect critically the proposals of theology and to place these in positive relation to other disciplines.
