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In May 1946 John Caldwell set out to sail from Panama to Sydney to reunite with his wife who he hadn't seen for more than a year. Eager to reach his destination and unable to secure any other form of transport, he had to resort to singlehanded seamanship. After an ignominious scene in the harbor, where a tangled anchor led him to take an early dip, he spent ten days learning the rudiments of navigation and sailing from a book, before embarking on the 9,000 mile journey aboard the 20-foot Pagan. Ahead lay a mission that was to reveal in him elements not only of astounding courage and determination, but also of incredible foolhardiness. Within 500 miles of Panama John Caldwell had already been...
Many communities are ravaged by problems associated with poverty, crime and drug and alcohol abuse. Substantial answers to the urban crisis are all but non- existent. 'Christ, the Cross and the Concrete Jungle' is the story of a young man's deliverance from a lifestyle of desperation and delinquency to a new life of freedom and hope. This books reveals the remarkable journey of transformation and redemption that is made possible through the gospel of Jesus Christ.
Although the "decline" of network television in the face of cable programming was an institutional crisis of television history, John Caldwell's classic volume Televisuality reveals that this decline spawned a flurry of new production initiatives to reassert network authority. Television in the 1980s hyped an extensive array of exhibitionist practices to raise the prime-time marquee above the multi-channel flow. Televisuality demonstrates the cultural logic of stylistic exhibitionism in everything from prestige series (Northern Exposure) and "loss-leader" event-status programming (War and Remembrance) to lower "trash" and "tabloid" forms (Pee-Wee's Playhouse and reality TV). Caldwell shows how "import-auteurs" like Oliver Stone and David Lynch were stylized for prime time as videographics packaged and tamed crisis news coverage. By drawing on production experience and critical and cultural analysis, and by tying technologies to aesthetics and ideology, Televisuality is a powerful call for desegregation of theory and practice in media scholarship and an end to the willful blindness of "high theory."
An investigation of the cultural practices and belief systems of Los Angelesbased film and video production workers.
Originally published in 1978, Medieval Music explores the fascinating development of medieval western music from its often obscure origins in the Jewish synagogue and early Church, to the mid-fifteenth century. The book is intended as a straightforward survey of medieval music and emphases the technical aspects such as form, style and notation. It is illustrated by nearly one hundred musical examples, the majority of which have been transcribed from original sources and many of which contains chapters on Latin chant and other forms of sacred monophony, secular song, early polyphony, the ars antiqua, French and Italian fourteenth-century music, English music, and fifteenth-century music. Each chapter is followed by a classified bibliography divided into musical sources, literary sources and modern studies; in addition to a comprehensive bibliography.
This groundbreaking book provides the first systematic comparison of America’s modern wars and why they were won or lost. John D. Caldwell uses the World War II victory as the historical benchmark for evaluating the success and failure of later conflicts. Unlike WWII, the Korean, Vietnam, and Iraqi Wars were limited, but they required enormous national commitments, produced no lasting victories, and generated bitter political controversies. Caldwell comprehensively examines these four wars through the lens of a strategic architecture to explain how and why their outcomes were so dramatically different. He defines a strategic architecture as an interlinked set of continually evolving polici...
Provides humorous excuses to avoid cleaning bedrooms, visiting relatives, going to the dentist, etc.
In the 1950s and 1960s, boxers John Caldwell and Freddie Gilroy reached the very pinnacle of their sport and brought immense pride to Belfast and Ireland. This is their story of friendship and rivalry, of glory and pain, of riches and poverty. Belfast is world-renowned for her glovemen. Best of Enemies explores the careers of two of the city's finest exponents of the noble art of boxing. As friends, they won Olympic medals for Ireland. As professionals, they quickly became bitter adversaries. Their rivalry peaked when Caldwell claimed a share of the world bantamweight crown in a fight that had been promised to Gilroy. Thereafter, the Belfast fighters were on a collision course. The two finally met in a bloody battle in Belfast's King's Hall on Saturday, 20 October 1962. However, that brutal night did not resolve the question of who was the better boxer, which lingers to this day.
One of three chronologically arranged catalogues that document the Metropolitan Museum's outstanding collection of American paintings.