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Dramaturgy
Dramaturgy: A Revolution in Theatre is a substantial history of the origins of dramaturgs and literary managers. It frames the explosion of professional appointments in England within a wider continental map reaching back to the Enlightenment and eighteenth-century Germany, examining the work of the major theorists and practitioners of dramaturgy, from Granville Barker and Gotthold Lessing to Brecht and Tynan. This study positions Brecht's model of dramaturgy as central to the worldwide revolution in theatre-making practices, and it also makes a substantial argument for Granville Barker's and Tynan's contributions to the development of literary management. With the territories of play and performance-making being increasingly hotly contested, and the public's appetite for new plays showing no sign of diminishing, Mary Luckhurst investigates the dramaturg as a cultural and political phenomenon.
The Cambridge Companion to British Theatre of the First World War
The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender.
A Bibliography of British History, 1914-1989
Containing over 25,000 entries, this unique volume will be absolutely indispensable for all those with an interest in Britain in the twentieth century. Accessibly arranged by theme, with helpful introductions to each chapter, a huge range of topics is covered. There is a comprehensiveindex.
Catalog of Copyright Entries. Third Series
Includes Part 1A: Books
Dickens, Novel Reading, and the Victorian Popular Theatre
Dickens' novels, like those of his contemporaries, are more explicitly indebted to the theatre than scholars have supposed: his stories and characters were often already public property by the time they were published, circulating as part of a current theatrical repertoire well known to many Victorian readers. In this 1998 study, Deborah Vlock argues that novels - and novel-readers - were in effect created by the popular theatre in the nineteenth century, and that the possibility of reading and writing narrative was conditioned by the culture of the stage. Vlock resuscitates the long-dead voices of Dickens' theatrical sources, which now only tentatively inhabit reviews, scripts, fiction and non-fiction narratives, but which were everywhere in Dickens' time: voices of noted actors and actresses and of popular theatrical characters. She uncovers unexpected precursors for some popular Dickensian characters, and reconstructs the conditions in which Dickens' novels were initially received.
A Cornish Almanack
Cornwall, the land of sandy beaches, pretty fishing coves, historic fishing ports, tin mining, mansions and gardens, quaint thatched cottages, atmospheric moors, art galleries, writers and picturesque towns? All of that is true but there is so much more to Cornwall and its influence on the rest of Britain and many parts of the world is often forgotten or unknown but yet continues. The county has seen political intrigue; religious upheavals; financial scandals. It has produced political radicals, slaves and slave owners; artists, writers and musicians; renowned engineers, mineralogists and scientists and was the first to introduce compulsory education. Cornwall was the birthplace of the discoverers of chemical elements, the planet Neptune and solar power and has been hugely significant in radio, electrical telegraphy and television. Cornish people have been influential across the centuries, the world and an incredible number of disciplines.
