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Risen Sons
Though stressing that Flannery O'Connor was first and foremost a writer of fiction, John Desmond maintains in Risen Sons that her orthodox Catholic theology stands at the center of her vision, providing the metaphysical base from which the fiction evolved. Given this religious context, Desmond contends that O'Connor's stated view of fiction-writing as an "incarnational act" suggests a direct connection between the practice of fiction-writing and the Incarnation of Christ--the pivotal historic event which her fiction seeks to imitate and through which her vision is revealed. O'Connor's attempts to create images that would connect the Incarnation with fictional incarnation, Mystery with myster...
The Black Thorn
The number of evictions in Balinmore, Ireland is on the rise. Eamonn McDonagh feels that he must resist the English landlord who is responsible for the misery inflicted on the Irish people in his town, so he forms a secret society known as "The Black Thorn." He warns his oppressor that violence will erupt if he continues with the evictions, which he does, starting with the eviction of Eamonn's sister. Watching all the violence that ensues is McDonagh's ten year old son, Joseph, who is caught between the gentle example of his local priest and the violent actions of his father. So begins the story of "The Black Thorn." It is a tale that starts in Ireland in 1846 at the start of the potato blight. It takes Joseph McDonagh through the An Gorta Mor (The Great Hunger) and eventually, by way of one of the many "Coffin Ships," to America and into its vicious Civil War. It ends in the Schuylkill coal region of Pennsylvania in 1867 where Joseph is arrested and put on trial for the murder of a brutal mine boss, --- a murder that he didn't commit.
The History of Ireland, Ancient and Modern, Taken from the Most Authentic Records, and Dedicated to the Irish Brigade
Reprint of the original, first published in 1845.
Copyright Law Revision
Considers H.R. 4347 and 3 related bills, to revise and restructure copyright provisions for the protection of non-print media, including television, phonographic recording, and other technological applications.
The Ecclesiastical History of Ireland
Reprint of the original, first published in 1875.
