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Media reports describing the destruction of people's homes, for reasons ranging from ethnic persecution to the perceived need for a new airport or highway, are all too familiar. The planned destruction of homes affects millions of people globally; places destroyed range in scale from single dwellings to entire homelands. Domicide tells how and why the powerful destroy homes that happen to be in the way of corporate, political, bureaucratic, and strategic projects. Too frequently, this destruction is justified as being in the public interest.
Environmental Aesthetics is a comprehensive introduction. It includes a history of aesthetics, discussing the psychology of human-environment relations, and artistic influences on the city and analysing the roles of policy and planning.
Refers in particular to Graham Greene and Malcolm Lowry.
Much of Louis Chevalier's Paris faced the wrecking ball in the 1950s, 60s, and 70s, as Georges Pompidou, Andre Malraux, and their cadres of technocratic elites sought to proclaim the glory of the new France by reinventing its capital in brutal visions of glass and steel.
Why has Africa become such an important priority for Britain's foreign policy under New Labour? What interests and values is the UK seeking to uphold by intervening? Why has aid to Africa more than tripled over the past decade? How has the UK's involvement in the War on Terror affected its efforts there? In Britain in Africa Tom Porteous seeks to answer these and other questions about Britain's role in Africa since 1997. He provides an account of the key players, the policies they constructed in the shadow of the war in Iraq and the future of Britain's engagement with the continent. This book sets out the balance sheet of what Britain has achieved, and where and why it failed in Africa. A compelling read, whose importance for international politics reaches far beyond Britain or Africa.
Media reports describing the destruction of people's homes, for reasons ranging from ethnic persecution to the perceived need for a new airport or highway, are all too familiar. The planned destruction of homes affects millions of people globally; places destroyed range in scale from single dwellings to entire homelands. Domicide tells how and why the powerful destroy homes that happen to be in the way of corporate, political, and bureaucratic projects. Too frequently, this destruction is justified as being in the public interest. Douglas Porteous and Sandra Smith begin their analysis by examining just how important home is to human life and community. Using a multitude of case studies of displacement, they derive a theoretical framework that addresses the motives for, methods, and effects of domicide. Two case studies of resettlement resulting from hydro-electric power development in British Columbia are used to test this framework. Porteous and Smith assess the implications of loss of home, evaluate current efforts at mitigation, suggest better policies to alleviate the suffering of the dispossessed, and – as a last resort – urge resistance against unacceptable projects.
Geocriticism provides a theoretical foundation and a critical exploration of geocriticism, an interdisciplinary approach to understanding literature in relation to space and place. Drawing on diverse thinkers, Westphal argues that a geocritical approach enables novel ways of seeing literary texts and of conducting literary studies.
The handbook offers a concise introduction to all aspects of the country, rooted in a broad historical account of the development of the Sudanese state. --from publisher description
The objective of this project is to encourage new ways of thinking about the meaning and significance of space. It follows a desire that has been expressed and theorized by Henri Lefebvre - and by extension Edward W. Soja - to remove Spatiality from the margin of the "Trialectics of Being" and to bring it into the "Trialectics' fold" alongside with - and of at least equal significance to - Historicality and Sociality. The thesis focuses on how space of the Pilbara region in Western Australia is produced in contemporary Australian writing, film, art and through "lived experience". The thesis argues for an understanding of space as essentially dynamic.