You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
John Freeman's first poetry collection charts the impact of place on human experience. In Beirut, Rio de Janeiro, Paris, Rome, and the foothills of a childhood hometown, Freeman navigates legacies of ruin and construction, illness and memory. Warm, mournful, and distinctly urban, Maps offers a compassionate perspective from the experience of one American embroiled in empire. From "You Are Here:" The city grinds its molars at night, carefully mined explosions boring cavities beneath Manhattan, while other lines ride all hours in yellow light, gliding to stops at the zebra-painted beam halfway down each platform, conductor always pointing up, as if to say, yes, you are here. "At the intersecti...
For the last fifteen years, if a novel was published, John Freeman has been there to greet it. As a critic for more than two hundred newspapers worldwide, he has reviewed thousands of books and interviewed scores of writers, and in How to Read a Novelist, he shares with us what he has learned. From such international stars as Doris Lessing, Haruki Murakami, Salman Rushdie and Mo Yan; to British talents including Ian McEwan, Jim Crace, A. S. Byatt and Alan Hollinghurst; American masters such as Don DeLillo, Norman Mailer, Toni Morrison and Philip Roth; to the new guard of Jennifer Egan, Junot Díaz, Dave Eggers and Jonathan Franzen – Freeman has talked to everyone. How to Read a Novelist is essential reading for every aspiring writer and engaged reader; the perfect companion for anyone who's ever curled up with a novel and wanted to know a bit more about the person who made that moment possible.
For John Freeman - literary critic, essayist, editor, poet and 'one of the preeminent book people of our time' (Dave Eggers) - it is a rare moment when words are not enough. But in the wake of the election of 2016, words felt useless, even indulgent. Action was the only reasonable response. He took to the streets in protest and the sense of community and collective conviction felt right. But the assaults continued - on citizens' rights and long-held compacts, on the core principles of our culture and civilisation, and on our language itself. Words seemed to be losing the meanings they once had and Freeman was compelled to return to their defence. The result is his Dictionary of the Undoing. ...
From the voices of protesters to the encroachment of a new fascism, everywhere we look power is revealed. Spouse to spouse, soldier to citizen, looker to gazed upon, power is never static: it is either demonstrated or deployed. Its hoarding is itself a demonstration. This thought-provoking issue of the acclaimed literary annual Freeman's explores who gets to say what matters in a time of social upheaval. Many of the writers are women. Margaret Atwood posits it is time to update the gender of werewolf narratives. Aminatta Forna shatters the silences which supposedly ensured her safety as a woman of colour walking in public space. Power must often be seized. The narrator of Lan Samantha Chang'...
The award-winning president of the National Book Critics Circle examines the astonishing growth of email—and how it is changing our lives, not always for the better. John Freeman is one of America’s pre-eminent literary critics; now in this, his first book, he presents an elegant and erudite investigation into a technology that has revolutionized the way we work, communicate, and even think. There’s no question that email is an explosive phenomenon. The first email, developed for military use, was sent less than forty years ago; by 2011, there will be 3.2 billion users. The average corporate employee now receives upwards of 130 emails per day; by 2009 that number is expected to reach n...
With its mixture of investigative reportage, narrative non-fiction, photography, memoir, fiction and brilliant journalism, Granta 107 follows on from the critically-acclaimed summer reading issue to showcase more of the best new writing from around the world. In the issue, Mary Gaitskill meditates on how we measure varieties of loss after the disappearance of her rescued cat; Will Self walks through Tehran thirty years on from the revolution; and Rana Dasgupta reports from Delhi on the emergence of India’s super rich.
A new literary journal arrives on the scene with unpublished works from such superstars as Dave Eggers, Louise Erdrich, Haruki Murakami, and others. In this inaugural edition of Freeman’s, a new biannual of unpublished writing, former Granta editor and NBCC president John Freeman brings together the best new fiction, nonfiction, and poetry about that electrifying moment when we arrive. Strange encounters abound. David Mitchell meets a ghost in Hiroshima Prefecture; Lydia Davis recounts her travels in the exotic territory of the Norwegian language; and in a Dave Eggers story, an elderly gentleman cannot remember why he brought a fork to a wedding. End points often turn out to be new beginni...
Building from his acclaimed anthology Tales of Two Americas, beloved writer and editor John Freeman draws together a group of our greatest writers from around the world to help us see how the environmental crisis is hitting some of the most vulnerable communities where they live. In the past five years, John Freeman, previously editor of Granta, has launched a celebrated international literary magazine, Freeman's, and compiled two acclaimed anthologies that deal with income inequality as it is experienced. In the course of this work, one major theme came up repeatedly: Climate change is making already dire inequalities much worse, devastating further the already devastated. But the problems ...
'The city of light' under German occupation: Paris, a place, a people, their lives in flux. And in these uncertainties, these compromised loyalties, these existences constantly under threat, Marcel Petiot, a mass murderer. A doctor, a resistance fighter, a collaborator: who can tell? Not even the people he kills.
The Horror issue features original cover artwork by Jake and Dinos Chapman and a line-up of contributors that includes some of the greatest names in contemporary fiction. Stephen King tells the story of a retired judge with a deadly secret. Don DeLillo imagines a moviegoer-turned-stalker and Paul Auster writes of his mother's death. Rajesh Parameswaran dips into the mind of a tiger who escapes from a zoo and terrorizes a neighbourhood. Will Self writes of his blood disease and Daniel Alarcon explores the phenomenon of staged, high-camp blood baths. Mark Doty ruminates on a close encounter between Walt Whitman and Bram Stoker. CONTRIBUTORS: Daniel Alarcon, Paul Auster, Tom Bamforth, Roberto Bolano, Don DeLillo, Mark Doty, Sarah Hall, Stephen King, Kanitta Meechubot (artist), Julie Ostuka, D.A. Powell (poem), Rajesh Parameswaran, Santiago Roncagliolo, Will Self, Joy Williams.