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An introduction to the foundations of the text of Shakespeare that examines Shakespeare's writing in the environment of the theatre and the printing of the earliest surviving texts. This revised edition includes a new chapter on digital text, digital editing, and their interface with the traditional media.
The Complete Works: Modern Critical Edition is part of the landmark New Oxford Shakespeare--an entirely new consideration of all of Shakespeare's works, edited afresh from all the surviving original versions of his work, and drawing on the latest literary, textual, and theatrical scholarship.This single illustrated volume is expertly edited to frame the surviving original versions of Shakespeare's plays, poems, and early musical scores around the latest literary, textual, and theatrical scholarship to date.
This book explores the words, forms, and styles Shakespeare used to interact with the verbal marketplace of early modern England.
An introductory survey of the foundations of the text of Shakespeare, this book examines Shakespeare's writing in the environment of the theatre, and the printing of the earliest surviving texts.
Reproduction of the original: The Whole Armour of God by John Henry Jowett
An indespensable companion to The Norton Shakespeare, Based on the Oxford Edition, this is the most comprehensive reference work on Shakespearean textual problems ever compiled in a single volume. William Shakespeare: A Textual Companion provides a wealth of information about the problems presented by texts and the processes by which editorial decisions are reached. The General Introduction discusses the critical and theoretical issues raised by different kinds of editions, the nature of early manuscripts, printed texts, and the evidence for the canon and chronology of Shakespeare's works. It also offers a concise history of the editing of Shakespeare and sets forth the editorial principles of the Oxford Edition. Included for each work, are an introduction, textual notes, press variants, discussions of emendations and problems of modernization, plausible alternative readings, and a letter-by-letter reprint of the stage directions in the control text, among other materials. --