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This is the hotel where our nightmares go... It’s where horrors come to be themselves, and the dead pause to rest between worlds. Recently widowed and unemployed, Richard Carter finds a new job, and a new life for him and his daughter Serena, as manager of the mysterious Deadfall Hotel. Jacob Ascher, the caretaker, is there to show Richard the ropes, and to tell him the many rules and traditions, but from the beginning, their new world haunts and transforms them. It’s a terrible place. As the seasons pass, the supernatural and the sublime become a part of life, as routine as a morning cup of coffee, but it’s not safe, by any means. Deadfall Hotel is where Richard and Serena will rebuild the life that was taken from them... if it doesn’t kill them first.
H. P. Lovecraft wrote "The Call of Cthulhu" in 1926, initiating the Cthulhu Mythos, one of the most widely imitated shared-world universes in weird fiction. Even in his lifetime, many other writers added to the Mythos, and after his death hundreds if not thousands of authors of weird, fantasy, and science fiction have added their distinctive elaborations on Lovecraft's basic themes and ideas. This volume features some of the best Cthulhu Mythos writing over the past century. Beginning with such rare but classic stories as Mearle Prout's "The House of the Worm" and Robert Barbour Johnson's "Far Below," from the pages of Weird Tales, the anthology moves on to James Wade's novella "The Deep Ones" and Ramsey Campbell's refreshing riff on the "forbidden book" motif, "The Franklyn Paragraphs." Acclaimed stories by T. E. D. Klein, Thomas Ligotti, Neil Gaiman, and W. H. Pugmire are also included.
Since H.P. Lovecraft first invited colleagues such as Frank Belknap Long and Robert Bloch (among others) to join in his creation of what has come to be known as ¿The Cthulhu Mythos¿ (over Lovecraft's less invocative name of ¿Yog-Sothery¿), dozens of authors have tried their hand at adding to this vast tapestry with varying degrees of success. Some, like the then teen-aged Ramsey Campbell, used the Mythos as a starting point to his own career while still finding his own authorial voice (The Inhabitant of the Lake and Less Welcome Tenants, Arkham House 1964); others, like Stephen King and Neil Gaiman, did so at the height of their careers, paying homage to an author who had been such a tre...
The creators of such imagination-capturing collections as Horse Fantastic and Dragon Fantastic join forces once again to bring readers a spellbinding collection of holiday tales about such legendary creatures as selkies and sea serpents, elves and pixies, a transplanted Yeti, and a blue-nosed reindeer. Contributing authors include Jane Yolen, Alan Dean Foster, Harry Turtledove, and others.
For horror fans of all ages, a spine-tinglingly creepy and darkly comedic picture book. Fantagraphics' third release in English from Danish cult illustrator John Kenn Mortensen.
Malkasian’s stunning landscapes and depictions of nature, gestural character nuance, and sophisticated storytelling are on display in her latest graphic novel. For a thousand years, the unfinished dreams―sex fantasies, murder plots, wishful thinking―from the City Across the Sea came to Echo Fjord to find sanctuary. Emerging from the soil, they took bodily form and wandered the land, gently guided by the fjord folk. But recently they've stopped coming, and Eartha wants solve the mystery. Without thought or hesitation―the city isn’t on any map, or in anyone’s memory―she ventures into the limitless waters, hoping to find the City.
From the twisted mind of Tony McMillen comes the hilarious rock and roll horror of An Augmented Fourth, a novel of the Lord of Low End.
A man and his young son traverse a blasted American landscape, covered with the ashes of the late world. The man can still remember the time before but not the boy. There is nothing for them except survival, and the precious last vestiges of their own humanity. At once brutal and tender, despairing and hopeful, spare of language and profoundly moving, The Road is a fierce and haunting meditation on the tenuous divide between civilization and savagery, and the essential sometime terrifying power of filial love. It is a masterpiece.
It's bedtime on the farm, but the baby animals aren't ready to go to sleep.
I can be myself when everyone I know is dead... That's the title of the thing I made. The thing that I made is a book. It houses a collection of my art (some from online and some not) created from 2017 - 2019. The writing delves uncomfortably into my mind and life. It describes the rhyme and reason behind why everyone needs a little snail friend, why cute poops make this world a better place, and why werewolves always hesitate before devouring the sacrificial girl-child. Actually, it's really about how horribly influential and affecting childhood is and how babcia's soup is actually her life-blood. No, no, it's more about how Audri is planning to take over the world. It's probably about too ...