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John Lafarge and the Limits of Catholic Interracialism, 1911–1963
Before Vatican II, before the race riots of the 1940s, the white Jesuit priest John Lafarge decried America’s treatment of blacks. In the first scholarly biography of Lafarge, David W Southern paints a portrait of a man ahead of his church on the race issue who nevertheless did not press hard enough in ridding it of an institutional bias against African-Americans. Southern follows Lafarge from his birth into the Social Register in Newport, Rhode Island, in 1880, to his death in 1963, just months after his participation in the March on Washington. According to Southern, Lafarge was the foremost Catholic spokesman on black-white relations in America for more than thirty years. In a series of...
John La Farge, a Biographical and Critical Study
John La Farge, A Biographical and Critical Study is the first biography in a century of the American painter, illustrator, muralist, stained-glass artist, and writer. Examining La Farge's career from his youth to his late rebound as a decorative artist-from New York City and New England to Europe to Japan to the South Seas-this is also the only biography to date composed independently of the artist and his estate.
Memoirs of the Spirit
A collection of twenty-six chronologically arranged spiritual autobiographies.
The Papers of Martin Luther King, Jr., Volume V
Volume 5 of the planned 14 volume series, brings us to a pivotal moment in the career of Dr King. After a visit to India in 1959 he revitalised the Southern Christian Leadership Conference & propelled himself to a leading role in the renewed activism of 1960.
Interracial Justice
Excerpt from Interracial Justice: A Study of the Catholic Doctrine of Race Relations The problem of race relations in the United States is usually regarded as hopeless in proportion as attention is narrowed upon the immediate participants in racial conflicts. Hope for its solu tion arises as relations between the races are seen in the light of wider, common interests; in the light of history, and in the light of Spiritual truths. The following chapters are an attempt to apply such a wider view to the social problem of racial differences. All that is Fiere written is based upon an assumption, which the author believes is indisputably sound, that racial disputes, similar to disputes in any ot...
Black, White, and Catholic
New Orleans Catholics and the early years of desegregation.
The Visual Arts and Christianity in America
How has religion affected the creation and patronage of American art? This is the question explored in 'The Visual Arts and Christianity in America', the most comprehensive treatment of this subject to date. With its 184 illustrations, the volume is a visual and textual survey of both the religious paintings, statuary, and architecture produced in America since colonial times and the attitudes toward such art expressed by the artists, the clergy, and the religious press. By means of a multifaceted approach that includes investigation of biographical, journalistic, art historical, as well as religious literature, a broad range of art objects and buildings are carefully placed in their social ...
John La Farge : [published on the occasion of the exhibition "John LaFarge", shown at the National Museum of American Art, Smithsonian Inst., Washington, D. C., July 10 - Oct. 12, 1987 ; the Carnegie Museum of Art, Pittsburgh, Nov. 7, 1987 - Jan. 3, 1988 ...]
La Farge, now nearly forgotten, was at one time considered among the most progressive 19th century American artists. His oil landscapes and watercolors and direct studies from nature decisively influenced Winslow Homer. His innovations in opalescent glass revitalized the art of stained glass with undreamt-of pictorial effects. An interior design for Trinity Church in Boston, with its floating Byzantine spaces, created a sensation. Muralist, book illustrator, art critic, travel writer, decorator, La Farge combined all these roles. Yet most of his paintings look academic and stilted by modern standards, and his far-flung trips to the South Seas and Japan yielded only tame travel scenes. Combining nearly 200 illustrations with essays by scholars, this catalogue of a traveling exhibit includes photographs of his interiors for the Vanderbilt house in New York, civic buildings and churches.
"The Tragic Couple"
The Society of Jesus (Jesuits) has become a leader in the dialogue between Jews and Catholics as was manifested in the role that the Jesuit Cardinal Augustin Bea played in the adoption by the Second Vatican Council of Nostra Aetate, the charter for that new relationship. Still the encounters between Jesuits and Jews were often characterized by animosity and this historical record made them a tragic couple, related but estranged. This volume is the first examination of the complex interactions between Jesuits and Jews from the early modern period in Europe and Asia through the twentieth century where special attention is focused on the historical context of the Holocaust.
