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While issues surrounding women and work may be more subtle today than in the past, problems of workplace equity, child-rearing, and domestic labor pose problems of balance that continue to evade solution as women today face substantial shifts in the meanings and practices of marriage, work, and reproduction amid a globalized economy. The essays in Women and Work: The Labors of Self-Fashioning explore how nineteenth- and twentieth-century US and British writers represent the work of being women—where “work” is defined broadly to encompass not only paid labor inside and outside the home, but also the work of performing femininity and domesticity. How did nineteenth- and twentieth-century...
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Susan Fenimore Cooper (1813-1894), though often overshadowed by her celebrity father, James Fenimore Cooper, has recently become recognized as both a pioneer of American nature writing and an early advocate for ecological sustainability. Editors Rochelle Johnson and Daniel Patterson have assembled here a collection of ten pieces by Cooper that represent her most accomplished nature writing and the fullest articulation of her environmental principles. With one exception, these essays have not been available in print since their original appearance in Cooper's lifetime. A portrait of her thoughts on nature and how we should live and think in relation to it, this collection both contextualizes ...
Collected here are detailed and diverse essays, some that examine Rural Hours, Susan Fenimore Cooper's most famous work, and others that help establish Cooper as a major practitioner and theorist of American nature writing and as a socially engaged artist in many other genres. These essays discuss Cooper's uses and manipulations of various literary conventions, such as the picturesque, the literary village sketch, and domestic fiction, and illuminate her positions on conservation, religion, and woman's place in society. The engaging collection is divided into four sections. The first features essays examining Cooper's work in light of her relationship with her famous literary father, James F...
"Terrible Sanity is wondrous sanity. Pickering's essays are acetaminophen for hippish days. "Life doesn't have a neat beginning and a tidy end," Roger, a character in V. S. Naipaul's Half a Life, says. "Life is always going on." In this collection, Pickering depicts the joy and sadness of life's going on. He observes that great knowledge often brings small pleasure while the small knowledge that all people experience brings great pleasure. A dental hygienist tells him that every day patients greet her on the street and in stores. "Their faces are always unfamiliar, and I never recognize them," she says, "but if they opened their mouths wide, I'd know them immediately." For the record she also volunteers that in twenty years of tooth-scrubbing, she had only been bitten once"--
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