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Justinian
The reign of Justinian (527--65) was a key phase in the transition from the Roman empire of classical times to the Byzantine empire of the Middle Ages. Justinian himself, born of peasant stock in a provincial backwater, was one of the greatest rulers yet, despite prodigious achievements, he remained an outsider in the sophisticated society of Constantinople. Here, John Moorhead reinterprets Justinian as man and monarch, together with his formidable empress, the ex-actress Theodora, and assesses the evidence from their time for the evolution of a distinctively medieval world.
Ambrose
An account, and assessment, of the career of St Ambrose (339-397), from 374 bishop of Milan and one of the four Doctors of the Christian Church (with Sts. Jerome, Augustine and Gregory the Great). A key figure in the transition of the later Roman Empire into its medieval successor, Western Christendom, Ambrose was deeply involved in the political, social and religious issues of his day: struggles between church and state (especially with Emperor Theodosius), the fight against heresy, but he also had a deep influence on Church thought such as the role and status of women. John Moorhead considers all these dimensions in a book that will be of compelling interest to historians of the Church and the late classical world and classical studies.
Slave Portraiture in the Atlantic World
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Transactions of the American Institute of Mining, Metallurgical and Petroleum Engineers
Some vols., 1920-1949, contain collections of papers according to subject.
Army Directory
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