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William Orr of Farranshane (1766-1797) married Isabella Greer (1768-1847) in 1788. They had six children.
Ingmar Bergman’s films had a very broad and rich relationship with the rest of European cinema, contrary to the myth that Bergman was a peripheral figure, culturally and aesthetically isolated from the rest of Europe. This book contends that he should be put at the very center of European film history by chronologically comparing Bergman’s relationship to key European directors such as Carl Theodor Dreyer, Jean-Luc Godard, Michelangelo Antonioni, and Andrei Tarkovsky, and also looks at Bergman’s critical relationship to key movements in film history such as the French New Wave. In so doing, it demonstrates how Ingmar Bergman’s films illustrate the demonic struggle in modernity between faith and secularity through “his intense preoccupation with the malaise of intimacy.”
Analyses the influential forms of a cinema of poetry in 1970s features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta, and Tarkovsky.
John Orr looks at the work, influences, legacy and style of perhaps cinema's most famous director, Alfred Hitchcock.
"Revelations of the most prolific serial arsonist of the 20th century"--Cover.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence prese...
Hot on the trail of a killer in Manhattan, FBI Special Agent Pendergast must face his most brilliant and dangerous enemy: his own brother. Two brothers. One a top FBI agent. The other a brilliant, twisted criminal. An undying hatred between them. Now, a perfect crime. And the ultimate challenge: Stop me if you can...
The hunt forthe most prolific American arsonist of the twentieth century—in this Edgar Award–winning true crime story that’s “stranger than fiction” (The New York Times). From Joseph Wambaugh, the #1 New York Times–bestselling author of such classics as The Onion Field and The Choirboys, comes the extraordinary story of the chase for the “Pillow Pyro,” led by one ambitious firefighter. Growing up in Los Angeles, John Orr idolized law enforcement. However, after being rejected by both the LAPD and LAFD, he settled for a position with the Glendale Fire Department. There, he rose through the ranks, eventually becoming a fire captain and one of Southern California’s best-known ...
Both professors at the U. of Edinburgh (Scotland), Orr (sociology) and Taxidou (English) have collected a diverse selection of previously published material on film, much of it controversial and challenging, to produce a reader for the undergraduate classroom. The readings are divided into theory and form, form and process, and international cinema. The selected authors (who include such thinkers and directors as Andre Bazin, Pier Paolo Pasolini, Gilles Deleuze, Fredric Jameson, Paul Virilio, Duncan Petrie, Susan Sontag, and Laura Mulvey) mull questions of film and modernity, film and poetry, film and postmodernity, cinematic perception, changing film technology, and the social and national context of international films. c. Book News Inc.