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Haunted Childhoods in George MacDonald
George MacDonald is generally remembered as a benevolent preacher who wrote fairy-tale books for children. Closer reading, however, reveals one of the most startlingly inventive, slyly subversive Scottish writers of the nineteenth century. His writings for children emerged from his own long struggle with faith and doubt in the face of multiple bereavements, chronic illness, and the persistent threat of early death. Haunted Childhoods in George MacDonald reconsiders death and divine love in MacDonald’s writings for children. It examines his private letters and public sermons, obscure early writings, and most beloved stories. Setting his work alongside texts by James Hogg and Andrew Lang, it argues that MacDonald appropriated traditional Scottish folk narratives to help child readers apprehend his mystically-inclined understanding of mortality.
New Fairy Tales
New Fairy Tales: English & French · The English text has been translated from the French. · The French text has been re-worked. · Contains commentaries on some parts of the text. · Contains a summary of French grammar. · Contains a Translation Skills Test (with Grammar tips). · Can be read in ‘English to French’; ‘French to English’; ‘English’; or ‘French’. THIS EDITION: New Fairy Tales (in French, Nouveaux Contes de fées) is a classic French book written by Comtesse de Ségur. It contains a collection of five smaller stories. This volume includes an introductory section summarising the important aspects of French grammar. The digital edition also contains a translatio...
Rethinking George MacDonald
George MacDonald (1824 - 1905) is the acknowledged forefather of later fantasy writers such as C. S. Lewis and J. R. R. Tolkien: however, his place in his own time is seldom examined. This omission does MacDonald a grave disservice. By ignoring a fundamental aspect of what made MacDonald the man he was, the critical habit of viewing MacDonald's work only in terms of his followers reinforces the long-entrenched assessment that it has a limited value - one only for religious enthusiasts and fantasy lovers. The essays in this anthology seek to correct that omission, by looking directly at MacDonald the Victorian - at his place in the Victorian literary scene, at his engagement with the works of his literary contemporaries and at his interest in the social, political, and theological movements of his age. The resulting portrait reveals a MacDonald who deserves a more prominent place in the rich literary history of the nineteenth century than he has hitherto been given.
The King of Ireland's Son
Chronicles the adventures of the King of Ireland's eldest and wildest son, describing how he encounters an enchanter's daughter, the king of the cats, Gilly of the goat-skin, and numerous others.
Ravenclaw Reader: Seeking the Meaning and Artistry of J. K. Rowling's Hogwarts Saga, Essays from the St. Andrews University Harry Potter
In Ravenclaw Reader, an international gathering of scholars debate the literary merits and demerits of the Harry Potter series. Each chapter is conversation, with the main argument followed by a reply from another critic. Representing a wide range of critical and cultural voices, the discussion includes questions about the portrayal of education in the book, the role of Snape, the landscape around Hogwarts, the structure of the series, the Wizarding World as dystopia, the problem of the Dursleys, and the canonization of Neville Longbottom. Perceptive, incisive, and thought-provoking, this in-depth conversation will engage fans, students, and academics alike. Ravenclaw Reader sets a new standard for Harry Potter criticism. Featuring contributions from Jessica Tiffin, John Granger, Amy Sturgis, Maria Nilson, Vinita Chandra, Joel Hunter, Travis Prinzi, Gabrielle Ceraldi, Joshua Richards, Amy Sonheim, and more.
New Fairy Tales
New Fairy Tales unites critical research and creative retelling of the fairy tale tradition from the Early Modern period to the present day. Academic essays intersect with new fiction and poetry, to create a unique, polyvalent discourse. The essays discuss influential works from authors including Hans Christian Andersen, George MacDonald, Oscar Wilde, J. R .R Tolkien, J. K. Rowling, Neil Gaiman, and Tifli. Original literary fairy tales by Katherine Langrish, Elizabeth Reeder, and others, appear alongside, discovering and re-creating the art form while as is being discussed. The result is an audacious and innovative dialogue about fairy tales and storytelling.
David Elginbrod
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Smout and the Lighthouse
Discover the unexpected beginnings of author Robert Louis Stevenson in this story about following your dreams. Inspired by Robert Louis Stevenson's letters and life, this book imagines the author as a child with dreams of becoming a writer. As he and his father visit one of the many lighthouses along the Scottish coast that were built by their family, young Louis begins composing a story in his head—one with storms, shipwrecks, and pirates—that will one day be published as Treasure Island.
The Maternal Image of God in Victorian Literature
This book is the study of a religious metaphor: the idea of God as a mother, in British and US literature 1850–1915. It uncovers a tradition of writers for whom divine motherhood embodied ideals felt to be missing from the orthodox masculine deity. Elizabeth Gaskell, Josephine Butler, George Macdonald, Frances Hodgson Burnett and Charlotte Perkins Gilman independently reworked their inherited faith to create a new symbol that better met their religious needs, based on ideal Victorian notions of motherhood and ‘Mother Nature’. Divine motherhood signified compassion, universal salvation and a realised gospel of social reform led primarily by women to establish sympathetic community. Conn...
Anti-Tales
The anti-(fairy) tale has long existed in the shadow of the traditional fairy tale as its flipside or evil twin. According to André Jolles in Einfache Formen (1930), such Antimärchen are contemporaneous with some of the earliest known oral variants of familiar tales. While fairy tales are generally characterised by a “spirit of optimism” (Tolkien) the anti-tale offers us no such assurances; for every “happily ever after,” there is a dissenting “they all died horribly.” The anti-tale is, however, rarely an outright opposition to the traditional form itself. Inasmuch as the anti-hero is not a villain, but may possess attributes of the hero, the anti-tale appropriates aspects of t...
