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Haunted Childhoods in George MacDonald reconsiders the nature of death and divine love in the stories of one of Scotland’s most slyly subversive writers for children.
Discover the unexpected beginnings of author Robert Louis Stevenson in this story about following your dreams. Inspired by Robert Louis Stevenson's letters and life, this book imagines the author as a child with dreams of becoming a writer. As he and his father visit one of the many lighthouses along the Scottish coast that were built by their family, young Louis begins composing a story in his head—one with storms, shipwrecks, and pirates—that will one day be published as Treasure Island.
Mr Pond was a small, neat civil servant. There was nothing remarkable about him at all - except a pointed beard. However, he tells the most fascinating stories and has an unorthodox way of solving crimes and mysteries. The eight stories include that of a Marshal's plan which goes tragically wrong because, paradoxically, his soldiers obey him.
New Fairy Tales: English & French · The English text has been translated from the French. · The French text has been re-worked. · Contains commentaries on some parts of the text. · Contains a summary of French grammar. · Contains a Translation Skills Test (with Grammar tips). · Can be read in ‘English to French’; ‘French to English’; ‘English’; or ‘French’. THIS EDITION: New Fairy Tales (in French, Nouveaux Contes de fées) is a classic French book written by Comtesse de Ségur. It contains a collection of five smaller stories. This volume includes an introductory section summarising the important aspects of French grammar. The digital edition also contains a translatio...
George MacDonald (1824 - 1905) is the acknowledged forefather of later fantasy writers such as C. S. Lewis and J. R. R. Tolkien: however, his place in his own time is seldom examined. This omission does MacDonald a grave disservice. By ignoring a fundamental aspect of what made MacDonald the man he was, the critical habit of viewing MacDonald's work only in terms of his followers reinforces the long-entrenched assessment that it has a limited value - one only for religious enthusiasts and fantasy lovers. The essays in this anthology seek to correct that omission, by looking directly at MacDonald the Victorian - at his place in the Victorian literary scene, at his engagement with the works of his literary contemporaries and at his interest in the social, political, and theological movements of his age. The resulting portrait reveals a MacDonald who deserves a more prominent place in the rich literary history of the nineteenth century than he has hitherto been given.
This collection of fifteen essays moves through Scotland's literary history from the early medieval era to the twenty-first century, exploring what it means to be Christian and Scottish and examining Scottish literature's complex relationship with Christianity.
Chronicles the adventures of the King of Ireland's eldest and wildest son, describing how he encounters an enchanter's daughter, the king of the cats, Gilly of the goat-skin, and numerous others.
The anti-(fairy) tale has long existed in the shadow of the traditional fairy tale as its flipside or evil twin. According to André Jolles in Einfache Formen (1930), such Antimärchen are contemporaneous with some of the earliest known oral variants of familiar tales. While fairy tales are generally characterised by a “spirit of optimism” (Tolkien) the anti-tale offers us no such assurances; for every “happily ever after,” there is a dissenting “they all died horribly.” The anti-tale is, however, rarely an outright opposition to the traditional form itself. Inasmuch as the anti-hero is not a villain, but may possess attributes of the hero, the anti-tale appropriates aspects of t...
“Ex-Centric Souths: (Re)Imagining Southern Centers and Peripheries” adds a voice in ongoing attempts to chart new routes and to decenter the South in many ways in the hope of exploring Southern identity and multiple Souths. The articles collected in this volume bring to the forefront the translocal and transnational connections and relationships between the South and the circum-Caribbean region; they address the changing nature of Southernness, and especially its sense of place, and finally they investigate the potential of various texts to narrate and revisit regional concerns. Some contributions hold up to view topics ignored and marginalized, while other decontextualize themes and issues central to Southern studies by telling alternative histories.