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The Myth of Dialectics
For a century now Marxists have been searching for a 'rational kernel' of Hegelian 'dialectics' inside the 'mystical shell' of the Hegelian system. As against this entire tradition, Rosenthal insists that Hegelian philosophy is mysticism all the way through. He argues that Marx's supposed `dialectic method' is simply a myth propagated by academics and proposes the provocative thesis that it is not, after all, Hegel's 'method' of which Marx made use in Capital but rather precisely Hegel's mysticism. The role of money in Marx and Hegel is examined in detail.
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The Jihadist Plot
“How could this happen in a country we helped liberate?” Secretary of State Hillary Clinton pondered in the aftermath of the September 11, 2012 attacks in Benghazi that left American ambassador to Libya Chris Stevens and three other Americans dead. The Jihadist Plot: The Untold Story of Al-Qaeda and the Libyan Rebellion shows how it could have happened and why it did happen. It happened because in supporting the Libyan rebellion against Muammar al-Qaddafi, America and its allies, in effect, changed sides in the war on terror, securing the victory of some of the very Islamic extremist forces that they had been fighting for the previous decade. The result is a Libya that is today under the...
Regarding Manhattan
Forty duotone photographs of Manhattan street scenes by John Rosenthal are now collected in This New Paper edition. These striking images, captured over a twenty-five-year period, are an intimate portrait of the photographer's "home town". They are often pensive, at times witty, but always original. Clearly, these are photographs created by an artist who loves his subject and respects his medium.
Searching for Amylu Danzer
On the afternoon of February 24th, 1965, Amylu Danzer, a twenty-year-old art student whoíd been visiting Jones Beach on Long Island, went missing. A month later, her body was swept ashore some sixteen miles away, at Far Rockaway. In this tender, courageous, artfully structured and engagingly written memoir, the writer and photographer John Rosenthal looks back on his youthful friendship with Amylu, and, drawing on multiple sources, seeks to answer some of the questions which have haunted him ever since he first learned of her death, now half a century distant. Pam Durban observes in her introduction that "one of the great pleasures of this book ... is the pleasure of traveling with the writ...
