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First published online to comfort, inspire and entertain children during lockdown, Katherine Rundell’s collection of over 100 works from the best authors and illustrators of children’s books has been read by almost half a million people. A donation from the sale of each book will go to NHS Charities Together
In a new reading of Immanuel Kant’s work, this book interrogates his notions of the imagination and anthropology, identifying these – rather than the problem of reason – as the two central pivoting orientations of his work. Such an approach allows a more complex understanding of his critical-philosophical program to emerge, which includes his accounts of reason, politics and freedom as well as subjectivity and intersubjectivity, or sociabilities. Examining Kant’s theorisation of the complexity of our phenomenological existence, the author explores his transcendental move that includes reason and understanding whilst emphasising the importance of the faculty of the imagination to undergird both, before moving to consider Kant’s pluralised, transcendental notion of freedom. This outstanding book will appeal to scholars with interests in philosophy, politics, anthropology and sociology, working on questions of imagination, reason, subjectivities and human freedom.
This book examines the major contribution of Cornelius Castoriadis’s work, which elucidated the role of the social imaginary within human societies. What is significant, the author argues, is that Castoriadis’s work presents a unique perspective on the regimes of historicity; modes of instituting power that establish the legitimacy of institutional order in relation to the extensive social imaginary articulations of the world. The author assesses Castoriadis’s theorisation of the radically creative capacity of the social imaginary and suggests that there remains a tendency to present an overly dichotomous view of autonomous and heteronomous modes of institution. The author assesses how...
This book offers a new perspective on the issue of modernity through a series of interconnected essays. Drawing centrally on the works of Castoriadis, Luhmann, Heller and Lefort, and in critical discussion with Weber, Durkheim, Simmel, Adorno, Habermas and Taylor, the author argues that modernity is not only a unique historical creation but also a multiple one. With a focus on five broad themes - the problem of understanding of modernity after the decline of grand narratives; the complexity of the modern condition; politics, especially with reference to freedom and totalitarian regimes; the variety and density of modern life; and the centrality of a concept of culture to social and critical ...
"Aesthetics and Modernity brings together Agnes Heller's most recent essays around the topics of aesthetic genres such as painting, music, literature and comedy, aesthetic reception, and embodiment. The essays draw on Heller's deep appreciation of aesthetics in all its forms from the classical to the Renaissance and the contemporary periods. Heller's recent work on aesthetics explores the complex status of artworks within the context of the history of modernity, and she engages this task with a critical recognition of modernity's pitfalls. This collection highlights these pitfalls in the context of continuing possibilities for aesthetics and our relationship with works of art, and it throws light on Heller's theory of emotions and feelings and her theory of modernity. Aesthetics and Modernity collects the essential essays of Agnes Heller and is a must-read for anyone interested in Heller's major contributions to philosophy. John Rundell is associate professor of social theory at the University of Melbourne. "--Book jacket.
From the Boston Globe-Horn Book Award-winning author of Cartwheeling in Thunderstorms comes an exciting new novel about a group of kids who must survive in the Amazon after their plane crashes. 5 1/2 x 8 5/16.
The Enigma of Justice: Freedom and Morality in the Work of Immanuel Kant, G.W.F Hegel, Agnes Heller, and Axel Honneth offers a novel perspective on the idea of justice. Claire Nyblom argues that justice is a cultural and historical constant, routinely summoned as if it were a foundational concept to legitimate or challenge social arrangements. Instead, justice is characterized by a plurality of theories, containing regulative and critical dimensions that are in tension. Nyblom argues that the categorical imperative can be positioned as a strong evaluative standard that mediates plurality, creating a revisable idea of justice resistant to relativism. After identifying the originating architec...