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DIVPublished in English for the first time, Didier Eribon’ s well-received and celebrated work on a philosophy of and examination of gay life./div
“It’s the early hours of the morning when Lane is awoken by a bright light and searing pain. He opens his eyes but nothing more; unable to either scream with pain, or move from it. Fear grips his heart and his mind, as he sees the earth around him and the tree above him slowly start to dissolve …” Here we are once again with John and his friends travelling on into more new and marvellous lands. Making new friendships along the way but with heartache and loss intertwined. They travel far until they finally come to a place – a border. A border so terrifying, so feared by all: humans, animals and greenem alike, that even the bravest perish within moments, if fool enough to cross. But it is also where all the answers lie … and a life-changing decision must be made
Statutes at Large is the official annual compilation of publicand private laws printed by the GPO. Laws are arranged by order of passage.
How can a movement like Surrealism be transferred, transplanted, or transported from one culture to another, one language to another? This book traces the creative dialogue between France and Japan in the early 20th century, focusing on Surrealist and avant-garde writings that challenge and break apart clear and bounded conceptions of language, poetry, and meaning.
How does photography shape the way we see sculpture? In David Smith in Two Dimensions, Sarah Hamill broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906Ð1965). Smith was a modernist known for radically shifting the terms of sculpture, a medium traditionally defined by casting, modeling, and carving. He was the first to use industrial welding as a sustained technique for large-scale sculpture, influencing a generation of minimalists to come. What is less known about Smith is his use of the camera to document his own sculptures as well as everyday objects, spaces, and bodies. His photographs of his sculptures were published in coun...
Celebrated photographer Robert Mapplethorpe challenged the limits of censorship and conformity, combining technical and formal mastery with unexpected, often provocative content that secured his place in history. Mapplethorpe’s artistic vision helped shape the social and cultural fabric of the 1970s and ’80s and, following his death in 1989 from AIDS, informed the political landscape of the 1990s. His photographic works continue to resonate with audiences all over the world. Throughout his career, Mapplethorpe preserved studio files and art from every period and vein of his production, including student work, jewelry, sculptures, and commercial assignments. The resulting archive is fascinating and astonishing. With over 400 illustrations, this volume surveys a virtually unknown resource that sheds new light on the artist’s motivations, connections, business acumen, and talent as a curator and collector.