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On Images
Kulvicki shows that a properly crafted structural account of pictures has many advantages over the perceptual accounts that dominate the literature on this topic. This book explains the close relationship between pictures, diagrams, graphs and other kinds of non-linguistic representation.
Images
The nature of representation is a central topic in philosophy. This is the first book to connect problems with understanding representational artifacts, like pictures, diagrams, and inscriptions, to the philosophies of science, mind, and art. Can images be a source of knowledge? Are images merely conventional signs, like words? What is the relationship between the observer and the observed? In this clear and stimulating introduction to the problem John V. Kulvicki explores these questions and more. He discusses: the nature of pictorial experience and "seeing in" recognition, resemblance, pretense, and structural theories of depiction images as aids to scientific discovery and understanding mental imagery and the nature of perceptual content photographs as visual prostheses. In so doing he assesses central problems in the philosophy of images, such as how objects we make come to represent other things, and how we distinguish kinds of representation - pictures, diagrams, graphs - from one another. Essential reading for students and professional philosophers alike, the book also contains chapter summaries, annotated further reading, and a glossary.
Modeling the Meanings of Pictures
John Kulvicki offers an account of the many ways in which pictures can be meaningful which is inspired by the philosophy of language. Pictures are important parts of communicative acts, along with language, gesture, facial expressions, and props. They express wide ranges of thoughts, make assertions, offer warnings, instructions, and commands. Pictures are also representations. They have meanings, which help explain the range of communicative uses to which they can be put. Modelling the meanings of pictures is accounting for the ways in which pictures manage to be meaningful, with an eye toward how those meanings let us use them as we do. By framing pictures with the philosophy of language, ...
Staged Experiences
This volume was first published by Inter-Disciplinary Press in 2014. The term ‘performance practice’ houses within it a diversity of practices and artists whose work extends and interrogates the boundaries between theatre and nearly all other creative art forms. This volume contains diverse theoretical and creative essays all of which manifest a commitment to exploring the complexity of relationships between performer, space, and audience. The work investigated is not subsumed within disciplines, but cuts across and between disciplinary vocabularies providing new synergies, domains, and inter-disciplinary possibilities. Revolutionary innovations and experimentations are presented in the fields of motion graphics, design and scenography. Readers will discover the challenges and ingenuities of the imaginary, and the dynamics of performance as it intersects with the physical construction of space. The mysteries of what denotes ‘liveness’ will be unveiled, The Barber of Seville will be re-imagined through juvenile intervention, and Shakespeare is viewed through the hypnagogic imagination against the nothingness of Venetian mystique.
The Metaphysics of Identity
The philosophical problem of identity and the related problem of change go back to the ancient Greek philosophers and fascinated later figures including Leibniz, Locke, and Hume. Heraclitus argued that one could not swim in the same river twice because new waters were ever flowing in. When is a river not the same river? If one removes one plank at a time when is a ship no longer a ship? What is the basic nature of identity and persistence? In this book, André Gallois introduces and assesses the philosophical puzzles posed by things persisting through time. Beginning with essential historical background to the problem he explores the following key topics and debates: mereology and identity, ...
Modeling the Meanings of Pictures
John Kulvicki explores the many ways in which pictures can be meaningful, taking inspiration from the philosophy of language. Pictures are important parts of communicative acts. They express a variety of thoughts, and they are also representations. Kulvicki shows how the meanings of pictures let us put them to a wide range of communicative uses.
Attention
Attention is a fundamental feature of the mind yet has languished in the backwaters of philosophy. Recent years, however, have witnessed a resurgence of philosophical interest in attention, driven by recognition that it is closely connected to consciousness, perception, agency, thought, justification and introspection. As is becoming clear, attention has a rich philosophical significance. This is the first book to provide a systematic overview and assessment of different empirical and philosophical aspects of attention. Wayne Wu discusses the following central topics and problems: major experiments and theories of attention in psychology since the 1950s the neuroscience of attention, includi...
Consciousness
Consciousness is arguably the most important interdisciplinary area in contemporary philosophy of mind, with an explosion of research over the past thirty years from philosophers, psychologists, and scientists. It is also perhaps the most puzzling aspect of the world despite the fact that it is familiar to each of us. Consciousness also seems resistant to any straightforward physical explanation. This book introduces readers to the contemporary problem of consciousness, providing a clear introduction to the overall landscape and a fair-minded critical survey of various theories of consciousness. Beginning with essential historical background to the problem of consciousness, Rocco Gennaro exp...
Disjunctivism
It is commonly held that the experiences involved in cases of perception, illusion and hallucination all have the same nature. Disjunctivists deny this. They maintain that the kind of experience you have when you perceive the world isn’t one you could be having if you were hallucinating. A number of important debates in the philosophy of mind and epistemology turn on the question of whether this disjunctivist view is tenable. This is the first book-length introduction to this contested issue. Matthew Soteriou explains the accounts of perception that disjunctivists seek to defend, such as naïve realism, and the accounts to which they are opposed, such as sense-datum theories and representa...
