You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
From 1609 until well after the founding of the Republic, half of all the colonists who came to America did so under some form of involuntary labor. Author John van der Zee draws on original memoirs, newspapers, and pamphlets to re-create the life stories of a number of the remarkable men and women whose enshacklement and destitution paved the way for American freedom. From the narratives of convicts, redemptioners (who accepted servitude in exchange for transportation to America), and those who were "spirited away" (snatched against their will), van der Zee weaves a colorful "people's history" of colonial and Revolutionary times. In their own words and through their own eyes, we meet such men and women as the first labor organizer in America; the young nobleman whose memoirs inspired Robert Louis Stevenson's Kidnapped; and a real-life Moll Flanders. The book also offers a surprising new interpretation of the Revolution as growing out of this widespread practice of servitude.--From publisher description.
None
James Van Der Zee was an African-American photographer who specialized in funerals. This book includes many of his photographs, with his comments. The text, by Camille Billops, is primarily an interview with the artist at the age of 91. Includes poetry, by Owen Dodson, inspired by some of the photos.
The Gate is an absorbing panoramic account of the building of one of the world's most beautiful and famous landmarks. In a narrative richly laden with detail and the flavor of the period, John van der Zee reveals for the first time the complete history of the longest single-span suspension bridge of its time-including the identity of the man who actually designed it, which has been obscured since its completion in 1937. With novelistic flair, van der Zee recounts an exciting drama of human greed, ambition, frailty, courage, and intellectual achievement. "It is among the top books on California I have ever read."-Kevin Starr, State Librarian of California and author of Americans and the California Dream "A case study of personal and technological adventure bordering on hubris...The engineers in this bok come alive as people, with all the faults and foibles associated iwth the human species. A fascinating work that shows that the best of cutting-edge engineering is much, much more than science and technology."-Henri Petroski, Nature
Examining portraits of black people over the past two centuries, Cutting a Figure argues that these images should be viewed as a distinct category of portraiture that differs significantly from depictions of people with other racial and ethnic backgrounds. The difference, Richard Powell contends, lies in the social capital that stems directly from the black subject’s power to subvert dominant racist representations by evincing such traits as self-composure, self-adornment, and self-imagining. Powell forcefully supports this argument with evidence drawn from a survey of nineteenth-century portraits, in-depth case studies of the postwar fashion model Donyale Luna and the contemporary portrai...
In recent years the topic of acculturation has evolved from a relatively minor research area to one of the most researched subjects in the field of cross-cultural psychology. This edited handbook compiles and systemizes the current state of the art by exploring the broad international scope of acculturation. A collection of the world's leading experts in the field review the various contexts for acculturation, the central theories, the groups and individuals undergoing acculturation (immigrants, refugees, indigenous people, expatriates, students and tourists) and discuss how current knowledge can be applied to make both the process and its outcome more manageable and profitable. Building on the theoretical and methodological framework of cross-cultural psychology, the authors focus specifically on the issues that arise when people from one culture move to another culture and the reciprocal adjustments, tensions and benefits involved.
The Low Countries are famous for their radically changing landscape over the last 1,000 years. Like the landscape, the linguistic situation has also undergone major changes. In Holland, an early form of Frisian was spoken until, very roughly, 1100, and in parts of North Holland it disappeared even later. The hunt for traces of Frisian or Ingvaeonic in the dialects of the western Low Countries has been going on for around 150 years, but a synthesis of the available evidence has never appeared. The main aim of this book is to fill that gap. It follows the lead of many recent studies on the nature and effects of language contact situations in the past. The topic is approached from two different angles: Dutch dialectology, in all its geographic and diachronic variation, and comparative Germanic linguistics. In the end, the minute details and the bigger picture merge into one possible account of the early and high medieval processes that determined the make-up of western Dutch.
Photography does more than simply represent the world. It acts in the world, connecting people to form relationships and shaping relationships to create communities. In this beautiful book, Margaret Olin explores photography’s ability to “touch” us through a series of essays that shed new light on photography’s role in the world. Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.
A passionate chronicle of the Golden Gate Bridge's construction by a National Humanities Medal-winning historian reveals influences from culture and nature that shaped its development while offering insight into its role as a national symbol of American engineering and innovation.