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From 1609 until well after the founding of the Republic, half of all the colonists who came to America did so under some form of involuntary labor. Author John van der Zee draws on original memoirs, newspapers, and pamphlets to re-create the life stories of a number of the remarkable men and women whose enshacklement and destitution paved the way for American freedom. From the narratives of convicts, redemptioners (who accepted servitude in exchange for transportation to America), and those who were "spirited away" (snatched against their will), van der Zee weaves a colorful "people's history" of colonial and Revolutionary times. In their own words and through their own eyes, we meet such men and women as the first labor organizer in America; the young nobleman whose memoirs inspired Robert Louis Stevenson's Kidnapped; and a real-life Moll Flanders. The book also offers a surprising new interpretation of the Revolution as growing out of this widespread practice of servitude.--From publisher description.
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After her nightmarish recovery from a serious car accident, Faye gets horrible news from her doctor, and it hits her hard like a rock: she can’t bear children. In extreme shock, she breaks off her engagement, leaves her job and confines herself in her family home. One day, she meets her brother’s best friend , and her soul makes a first step to healing.
The Gate is an absorbing panoramic account of the building of one of the world's most beautiful and famous landmarks. In a narrative richly laden with detail and the flavor of the period, John van der Zee reveals for the first time the complete history of the longest single-span suspension bridge of its time-including the identity of the man who actually designed it, which has been obscured since its completion in 1937. With novelistic flair, van der Zee recounts an exciting drama of human greed, ambition, frailty, courage, and intellectual achievement. "It is among the top books on California I have ever read."-Kevin Starr, State Librarian of California and author of Americans and the California Dream "A case study of personal and technological adventure bordering on hubris...The engineers in this bok come alive as people, with all the faults and foibles associated iwth the human species. A fascinating work that shows that the best of cutting-edge engineering is much, much more than science and technology."-Henri Petroski, Nature
Edited by Colin Westerbeck. Essays by Colin Westerbeck and Dawoud Bey.
In recent years the topic of acculturation has evolved from a relatively minor research area to one of the most researched subjects in the field of cross-cultural psychology. This edited handbook compiles and systemizes the current state of the art by exploring the broad international scope of acculturation. A collection of the world's leading experts in the field review the various contexts for acculturation, the central theories, the groups and individuals undergoing acculturation (immigrants, refugees, indigenous people, expatriates, students and tourists) and discuss how current knowledge can be applied to make both the process and its outcome more manageable and profitable. Building on the theoretical and methodological framework of cross-cultural psychology, the authors focus specifically on the issues that arise when people from one culture move to another culture and the reciprocal adjustments, tensions and benefits involved.
Examining portraits of black people over the past two centuries, Cutting a Figure argues that these images should be viewed as a distinct category of portraiture that differs significantly from depictions of people with other racial and ethnic backgrounds. The difference, Richard Powell contends, lies in the social capital that stems directly from the black subject’s power to subvert dominant racist representations by evincing such traits as self-composure, self-adornment, and self-imagining. Powell forcefully supports this argument with evidence drawn from a survey of nineteenth-century portraits, in-depth case studies of the postwar fashion model Donyale Luna and the contemporary portrai...
The Low Countries are famous for their radically changing landscape over the last 1,000 years. Like the landscape, the linguistic situation has also undergone major changes. In Holland, an early form of Frisian was spoken until, very roughly, 1100, and in parts of North Holland it disappeared even later. The hunt for traces of Frisian or Ingvaeonic in the dialects of the western Low Countries has been going on for around 150 years, but a synthesis of the available evidence has never appeared. The main aim of this book is to fill that gap. It follows the lead of many recent studies on the nature and effects of language contact situations in the past. The topic is approached from two different angles: Dutch dialectology, in all its geographic and diachronic variation, and comparative Germanic linguistics. In the end, the minute details and the bigger picture merge into one possible account of the early and high medieval processes that determined the make-up of western Dutch.
"A biography of James Van Der Zee, innovative and celebrated African American photographer of the Harlem Renaissance. Includes an afterword, photos, and author's sources"--Publisher.