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The Letters
These letters of a man deeply concerned about his country, directly involved in political action, and torn, as the Civil War approached, by the conflict between his abolitionist zeal and his Quaker pacifism--letters here collected for the first time and many of them hitherto unpublished--shatter the stereotype of Whittier as "the good gray poet." The many letters to such figures as John Quincy Adams, Charles Sumner, and William Lloyd Garrison form a detailed record of the abolitionist movement from its inception to its merging with the Free Soil party in the 1850s. The first two volumes reproduce all the extant letters from 1828 to 1860, with full annotations. The last volume is selective, excluding several thousand perfunctory items and including only the historically or biographically interesting letters of the last three decades of the poet's life.
The Arena
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Singing for Freedom
divdivIn the two decades prior to the Civil War, the Hutchinson Family Singers of New Hampshire became America’s most popular musical act. Out of a Baptist revival upbringing, John, Asa, Judson, and Abby Hutchinson transformed themselves in the 1840s into national icons, taking up the reform issues of their age and singing out especially for temperance and antislavery reform. This engaging book is the first to tell the full story of the Hutchinsons, how they contributed to the transformation of American culture, and how they originated the marketable American protest song. /DIVdivThrough concerts, writings, sheet music publications, and books of lyrics, the Hutchinson Family Singers established a new space for civic action, a place at the intersection of culture, reform, religion, and politics. The book documents the Hutchinsons’ impact on abolition and other reform projects and offers an original conception of the rising importance of popular culture in antebellum America./DIV/DIV
The Frederick Douglass Papers
The selected correspondence of the great American abolitionist and reformer dating from the immediate post-Civil War years This third volume of Frederick Douglass's Correspondence Series exhibits Douglass at the peak of his political influence. It chronicles his struggle to persuade the nation to fulfill its promises to the former slaves and all African Americans in the tempestuous years of Reconstruction. Douglass's career changed dramatically with the end of the Civil War and the long-sought after emancipation of American slaves; the subsequent transformation in his public activities is reflected in his surviving correspondence. In these letters, from 1866 to 1880, Douglass continued to correspond with leading names in antislavery and other reform movements on both sides of the Atlantic, and political figures began to make up an even larger share of his correspondents. The Douglass Papers staff located 817 letters for this time period and selected 242, or just under 30 percent, of them for publication. The remaining 575 letters are summarized in the volume's calendar.
Blackface Nation
Introduction -- Carnival -- The Vulgar Republic -- Jim Crow's Genuine Audience -- Black Song -- Meet the Hutchinsons -- Love Crimes -- The Middle-Class Moment -- Culture Wars -- Black America -- Conclusion: Musical without End
Theology, Music, and Modernity
Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music--and discourse about music--has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom--especially religious and political freedom-became a burning matter of concern ...
Excelsior
The journals of the New Hampshire family that became the best-known musicians of the day chronicle not only their performances and adventures first hand, but explore the social, economic and cultural life of the time.
Putting Popular Music in Its Place
Essays on the context of popular music and its interrelationships with politics and ideology.
The Outlook
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