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The Young Duke
"The Young Duke, undertaken with the assistance of the Wayne family, offers an unflinching look at this icon's early years. This book includes unpublished family photographs and many personal reminisences."--Publisher description
The Young Duke
By the time Stagecoach made John Wayne a silver-screen star in 1939, the thirty-one-year-old was already a veteran of more than sixty films, having twirled six-guns and foiled cattle rustlers in B Westerns for five studios. By the 1950s he was Hollywood’s most popular actor—an Academy Award nominee destined to become an American icon. This biography reveals the story of his early life, illustrated with rare archival images.
John Wayne: The Life and Legend
The celebrated Hollywood icon comes fully to life in this complex portrait by noted film historian and master biographer Scott Eyman. Exploring Wayne's early life with a difficult mother and a feckless father, "Eyman gets at the details that the bean-counters and myth-spinners miss ... Wayne's intimates have told things here that they've never told anyone else" (Los Angeles Times). Eyman makes startling connections to Wayne's later days as an anti-Communist conservative, his stormy marriages to Latina women, and his notorious--and surprisingly long-lived--passionate affair with Marlene Dietrich.
John Wayne: The Legend and the Man
The family photo abums, the classic film costumes, the telgrams and medals, from the internationally-beloved icon, The Duke! All collected here for the first time. An undisputed American icon, John Wayne is recognized the world over for his signature drawl and confident swagger; the ultimate personification of American courage and honor. This fall, John Wayne Enterprises has chosen powerHouse Books to produce the first-ever exclusively authorized photographic record of his life, both on-screen and off. John Wayne: The Legend and the Man celebrates Duke's life and legacy through film stills and backstage photos and snapshots ranging from his cinematic masterpieces-True Grit, Rio Grande, Sands...
Killing John Wayne
Behold the history of a film so scandalous, so outrageous, so explosive it disappeared from print for over a quarter century! A film so dangerous, half its cast and crew met their demise bringing eccentric billionaire Howard Hughes’ final cinematic vision to life! Starring All-American legend John Wayne in full Fu Manchu make-up as Mongol madman Genghis Khan! Featuring sultry seductress Susan Hayward as his lover! This is the true story of The Conqueror (1956), the worst movie ever made. Filmed during the dark underbelly of the 1950s—the Cold War—when nuclear testing in desolate southwestern landscapes was a must for survival, the very same landscapes were where exotic stories set in faraway lands could be made. Just 153 miles from the St. George, Utah, set, nuclear bombs were detonated regularly at Yucca Flat and Frenchman Flat in Nevada, providing a bizarre and possibly deadly background to an already surreal moment in cinema history. This book tells the full story of the making of The Conqueror, its ignominious aftermath, and the radiation induced cancer that may have killed John Wayne and many others.
The Shootist
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John Winston Howard
A portrait of one of Australia's longest-serving prime ministers, this biography goes behind the public image to find neither the strong-willed man of principle his supporters like to imagine nor the cunning opportunist painted by his foes. The discussion covers Howard's suburban middle-class upbringing and his success at implementing his polices, concluding that although the image of the ordinary bloke has helped his enduring popularity, heandmdash;like George Bushandmdash;possesses a number of uncommon strengths that have made him one of the most formidable leaders in Australian political history.
Hollywood Westerns and American Myth
In this pathbreaking book one of America’s most distinguished philosophers brilliantly explores the status and authority of law and the nature of political allegiance through close readings of three classic Hollywood Westerns: Howard Hawks’ Red River and John Ford’s The Man Who Shot Liberty Valance and The Searchers.Robert Pippin treats these films as sophisticated mythic accounts of a key moment in American history: its “second founding,” or the western expansion. His central question concerns how these films explore classical problems in political psychology, especially how the virtues of a commercial republic gained some hold on individuals at a time when the heroic and martial ...
John Wayne
"John Wayne remains a constant in American popular culture. Middle America grew up with him in the late 1920s and 1930s, went to war with him in the 1940s, matured with him in the 1950s, and kept the faith with him in the 1960s and 1970s. . . . In his person and in the persona he so carefully constructed, middle America saw itself, its past, and its future. John Wayne was his country’s alter ego." Thus begins John Wayne: American, a biography bursting with vitality and revealing the changing scene in Hollywood and America from the Great Depression through the Vietnam War. During a long movie career, John Wayne defined the role of the cowboy and soldier, the gruff man of decency, the hero who prevailed when the chips were down. But who was he, really? Here is the first substantive, serious view of a contradictory private and public figure.
Hawks on Hawks
A portrait of the renowned film director based on seven years of interviews: “I am very happy that this book exists.” —François Truffaut Howard Hawks is often credited as the most versatile of the great American directors, having worked with equal ease in screwball comedies, westerns, gangster movies, musicals, and adventure films. He directed an impressive number of Hollywood’s greatest stars—including Humphrey Bogart, Cary Grant, John Wayne, Lauren Bacall, Rosalind Russell, and Marilyn Monroe—and some of his most celebrated films include Scarface, Bringing Up Baby, The Big Sleep, Red River, Gentlemen Prefer Blondes, and Rio Bravo. Hawks on Hawks draws on interviews that author...
