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William Rowley
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Guide to Energy Arbitrations
Global Arbitration Review's The Guide to Energy Arbitrations is an essential desk-top reference tool for energy companies, their advisers and arbitrators, bringing together a number of pre-eminent authors and pulling together the latest and best approaches to the myriad issues confronted in today's energy disputes. J William Rowley QC of 20 Essex St, acts as General Editor, editors are Doak Bishop of King & Spalding and Gordon Kaiser, with contributions from leading firms across the world. The book has 18 chapters split into 4 sections: I. Investor-State Disputes in the Energy Sector II. Commerical Disputes in the Energy Sector III. Contractual Terms IV. Procedural Issues in Energy Arbitrations. "e;The Guide to Energy Arbitration is a very useful and unique contribution to the literature in the area...it...assembles the views and insights of leading counsel and arbitrators on many of the key issues and trends in the energy arbitration world. It should be a valuable guide to energy companies and their internal and external counsel, in addition to being of interest to commercial and litigation lawyers generally."e; - Glenn Zacher, Partner, Stikeman Elliot
A Search for Money
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The Maid in the Mill
The Maid in the Mill is a late Jacobean era stage play, a comedy written by John Fletcher and William Rowley. It was initially published in the first Beaumont and Fletcher folio of 1647. The two playwrights took their main plot from Leonard Digges's translation of Gerardo, the Unfortunate Spaniard by Gonzalo de Céspedes y Meneses - a source that Fletcher had exploited for The Spanish Curate in the previous year. They took the Florimel subplot from The Palace of Pleasure by William Painter; and they may also have been influenced by Shakespeare's The Winter's Tale. Fletcher, working with Philip Massinger, would compose a play with a very similar plot a few years later, in The Fair Maid of the Inn (1626).
The Witch of Edmonton
It is a historical phenomenon that while thousands of women were being burnt as witches in early modern Europe, the English - although there were a few celebrated trials and executions, one of which the play dramatises - were not widely infected by the witch-craze. The stage seems to have provided an outlet for anxieties about witchcraft, as well as an opportunity for public analysis. The Witch of Edmonton (1621) manifests this fundamentally reasonable attitude, with Dekker insisting on justice for the poor and oppressed, Ford providing psychological character studies, and Rowley the clowning. The village community of Edmonton feels threatened by two misfits, Old Mother Sawyer, who has turned to the devil to aid her against her unfeeling neighbours, and Frank, who refuses to marry the woman of his father's choice and ends up murdering her. This edition shows how the play generates sympathy for both and how contemporaries would have responded to its presentation of village life and witchcraft.
Thomas Middleton & William Rowley - Wit at Several Weapons
The play was originally attributed to John Fletcher & Francis Beaumont and printed in their early folios. However, though there is some minor work by Fletcher the play in modern times it has been now attributed to Middleton & Rowley. A version of the play re-written by Colly Cibber and titled 'Rival Fools' was produced but with no success. Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and publi...
The Chronicles of the Rowleys
Owsley Rowley (1754-1824) married Ann (d. 1835) and had nine children. Traces descendants through their son George William Rowley (1797-1878) to Fydell Rowley (1851-1933) using original letters, legal deeds and bills. The family lived in Shropshire, Huntingdon, London and elsewhere.
