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Humor and Power in Algeria, 1920 to 2021
"In times of peace as well as conflict, humor has served Algerians as a tool of both unification and division. Humor has also assisted Algerians of various backgrounds and ideological leanings with engaging critically in power struggles throughout the country's contemporary history. By analyzing comedic discourse in various forms (including plays, jokes, and cartoons), Humor and Power in Algeria, 1920 to 2021 demonstrates the globally informed and creative ways that civilians have made sense of moments of victory and loss through humor. Using oral interviews and media archives in Arabic, French, and Tamazight, Elizabeth M. Perego expands on theoretical debates about humor as a tool of resistance and explores the importance of humor as an instrument of war, peace, and social memory, as well as a source for retracing volatile, contested pasts. Humor and Power in Algeria, 1920 to 2021 reveals how Algerians have harnessed humor to express competing visions for unity in a divided colonial society, to channel and process emotions surrounding a brutal war of decolonization and the forging of a new nation, and to demonstrate resilience in the face of a terrifying civil conflict"--
Living with Diabetes and Uncertainty in Cairo
Living with Diabetes and Uncertainty in Cairo offers an ethnographic exploration of the interactions of two different understandings of type-2 diabetes: one related to the notion of ḍaghṭ, translated as “pressure” or “stress,” and another related primarily to obesity. The book is set in Egypt but draws links to a diabetes clinic in Denmark and a multinational medical company, as well as engaging with international diabetes research and guidelines. It tells a story of uncertainty, not only among people in Cairo, but also within medical research, and considers what uncertainty may generate in both bodies and societies at large. The chapters provide valuable insight into the lives of those in Cairo who are diagnosed with type-2 diabetes, and explore how those lives are linked to global movements. The book ultimately reflects on the question of what is overlooked and why in prevention strategies and treatments of type-2 diabetes in Egypt. It will be of particular interest to scholars of anthropology, global and public health, and the Middle East and North Africa.
Street Art of Resistance
This book explores how street art has been used as a tool of resistance to express opposition to political systems and social issues around the world. Aesthetic devices such as murals, tags, posters, street performances and caricatures are discussed in terms of how they are employed to occupy urban spaces and present alternative visions of social reality. Based on empirical research, the authors use the framework of creative psychology to explore the aesthetic dimensions of resistance that can be found in graffiti, art, music, poetry and other creative cultural forms. Chapters include case studies from countries including Brazil, Canada, Chile, Denmark, Egypt, Ireland, Mexico and Spain to shed new light on the social, cultural and political dynamics of street art not only locally, but globally. This innovative collection will be of particular interest to scholars of social and political psychology, urban studies and the wider sociologies and is essential reading for all those interested in the role of art in social change.
Community Organizing in Deutschland
Als Instrument der Bürgerbeteiligung wurde Community Organizing von Saul D. Alinsky zum ersten Mal 1939 in Chicago/Illinois erfolgreich umgesetzt. Konzeptionell speist es sich aus der Stadtsoziologie, der sozialen Arbeit sowie einer interkulturell ausgerichteten, politischen Erwachsenenbildung. In den USA hat es sich seitdem auf lokaler und überregionaler Ebene etabliert und wird nun auch in Deutschland rezipiert und zunehmend projekthaft umgesetzt. Diese Arbeit beschreibt das Konzept des Community Organizing in Deutschland explorativ und zeigt fördernde und hemmende Faktoren für dessen Umsetzung auf. Zudem wird das Konzept für den deutschen Fall bezüglich partizipativer Demokratietheo...
Who's who in Germany
Vols. for 1956- include a separately paged section: Directory of organizations, associations and institutions.
De Gruyter Handbook of Humor Studies
The De Gruyter Handbook of Humor Studies consolidates the cumulative contributions in theory and research on humor from 57 international scholars representing 21 different countries in the widest possible diversity of disciplines. It organizes research in a unique conceptual framework addressing two broad themes: the Essence of Humor and the Functions of Humor. Furthermore, scholars of humor have recognized that humor is not only a universal human experience, it is also inherently social, shared among people and woven into the fabric of nearly every type of interpersonal relationship. Scholars across all academic disciplines have addressed questions about the essence and functions of humor a...
Jobs in a Sustainable Economy
Stewardship. Making the transition.
Humor and Rumor in the Post-Soviet Authoritarian State
Drawing on ethnographic fieldwork in Belarus, an example of an authoritarian state, Humor and Rumor in the Post-Soviet Authoritarian State presents over one hundred contemporary political jokes in the contexts of their performance. Throughout, Anastasiya Astapova demonstrates the salience of the joke genre, the multiplicity of humor manifestations, and the fundamental presence of intertextual links between jokes and another folk genre—rumor. Informed by real-life fieldwork in an authoritarian regime, Humor and Rumor in the Post-Soviet Authoritarian State challenges many common theories of political humor, including the interpretation of political jokes as weapons of the weak. It illustrates how jokes and rumors remind communities of their fears, support paranoia, shape conformist behavior, and, consequently, reinforce the existing hegemony. In this rare study on everyday life in and reactions to repressive regimes, Astapova unveils political humor as it is lived.
Creative Resistance
During the uprisings of the Arab Spring between 2010 and 2012, oppositional movements used political humor to criticize political leaders or to expose the absurdities of the socio-political conditions. These humorous expressions in various art forms such as poetry, stand-up comedy, street art, music, caricatures, cartoons, comics and puppet shows were further distributed in the social media. This first comprehensive study of political humor in the uprisings explores the varieties and functions of political humor as a creative tool for resistance. It analyzes humorous forms of cultural expression and their impact on socio-political developments in different countries of the Middle East and North Africa with a special focus on the changing modes of humor.
