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Fiction as Method
See the world through the eyes of a search engine, if only for a millisecond; throw the workings of power into sharper relief by any media necessary; reveal access points to other worlds within our own. In the anthology Fiction as Method, a mixture of new and established names in the fields of contemporary art, media theory, philosophy, and speculative fiction explore the diverse ways fiction manifests, and provide insights into subjects ranging from the hive mind of the art collective 0rphan Drift to the protocols of online self-presentation. With an extended introduction by the editors, the book invites reflection on how fictions proliferate, take on flesh, and are carried by a wide variet...
Culture and Dialogue
Vol.3, No.1 of Culture and Dialogue is a Special Issue in many ways. This issue marks the takeover by a new publisher. Because of contractual constraints and practical reasons the decision was made to continue our journey with Cambridge Scholars Publishing, whose great enthusiasm foreshadows a bright future for the journal. Our words of thanks, however, must also go to Airiti Press without which the journal would not have seen the light of day. We are indebted to Airiti Press for having invested into the launch of a new journal, with all the risks entailed, and for their dedicated hard work. We are most grateful for this. The Journal was officially launched in March 2011 and has since produc...
On the Production of Subjectivity
This book offers a series of critical commentaries on, and forced encounters between, different thinkers. At stake in this philosophical and psychoanalytical enquiry is the drawing of a series of diagrams of the finite/infinite relation, and the mapping out of the contours for a speculative and pragmatic production of subjectivity.
Fictioning
In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the process of fictioning in contemporary art through three focal points: performance fictioning, science fictioning and machine fictioning.
Inspiring Leadership
Do you consider yourself to be a successful leader, or do you aspire to be so? If so then this book is for you. Do you wish to lead your teams in the most effective and energising way? Are you a follower seeking to be well led? Are you in the business of helping others to improve their performance? If you answer yes to any of these questions then you'll find much to help you in these pages. From the authors own practical experience, from his observation of other leaders and from his wide research he found that people who have become highly respected usually display the eight characteristics described within the inspiring leadership philosophy. Employing these qualities is how they manage to ...
The Rock from the Sky
Look up! From the Caldecott Medal–winning creator of the hat trilogy comes a new deadpan gem. There is a spot. It is a good spot. It is the perfect spot to stand. There is no reason to ever leave. But somewhere above there is also a rock. A rock from the sky. Here comes The Rock from the Sky, a hilarious meditation on the workings of friendship, fate, shared futuristic visions, and that funny feeling you get that there’s something off somewhere, but you just can’t put your finger on it. Merging broad visual suspense with wry wit, celebrated picture book creator Jon Klassen gives us a wholly original comedy for the ages.
Crunch Lit
The financial crisis of 2008 quickly gave rise to a growing body of fiction: "Crunch Lit". These 'recession writings' take the financial crisis as their central narrative concern and explore its effects on consumer culture, gender roles and contemporary communities. Examining a range of texts including Sebastian Faulks' A Week in December, Adam Haslett's Union Atlantic, and John Lanchester's Capital, this book offers the first wide-ranging guide to these new millennial writings.
Matter Fictions
Matter Fictions addresses fiction as a mode of producing reality as well as the significance of matter--animal, vegetable, mineral, hybrid--beyond binaries. Recounting a partial history of our relation with matter, the eponymous exhibition at Museu Coleção Berardo (May 4-August 21, 2016) explored how the crossover between cosmological narratives, spatial revolutions of concrete poetry, and hypertextual and territorial fictions might impact our understanding of human agency in a time that calls for action on climate change and technocratic policies. This companion reader features contributions from participating artists and like-minded writers that address the scope of this project as it ex...
The Mechanical Copula
'The first thing you notice is nothing. It takes your eyes a little whileto get used to this, after ten seconds you cant remember lookingat anything else,'' writes Maria Fusco, founding editor of The HappyHypocrite, in ''How You Lost the Stars,'' part of her first collectionof short stories. Stripping bare the accord of culture and commodity,this sequence of stories tracks the slimy path of social mobilitywith serious playfulness and an eye for the absurd. Tales of DonaldSutherland fucking a doll, two men eating a clown and how theobsessive searching through garbage cans can transform trash intomeaning, this is a book about the porous relationship betweenthe extra-mundane and the average. Maria Fusco is Director of ArtWriting at Goldsmiths, University of London.
Futures and Fictions
Futures and Fictions is a book of essays and conversations that explore possibilities for a different ‘political imaginary’ or, more simply, the imagining and imaging of alternate narratives and image-worlds that might be pitched against the impasses of our neoliberal present. In particular, the book contributes to prescient discussions around decolonization, post-capitalism and new kinds of social movements – exploring the intersections of these with contemporary art practice and visual culture. Contributions range from work on science, sonic and financial fictions and alternative space-time plots to myths and images generated by marginalized and ‘minor’ communities, queer-feminist strategies of fictioning, and the production of new Afro- and other futurisms.
