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Dark and creepy tales that will have you howling at the moon Stories By : Abigail Hilyard Christopher Weston Jennifer Elliott Jonathan Degler Katie Marie Keely Messino Linda Chambers Raz T. Slasher Tish MacWebber Vonnie Winslow Crist Poetry By: Patricia Harris Ruan Bradford Wright Art By Alex Page Vonnie Winslow Crist
Provides incisive accounts of 345 writers' lives and works, including critical responses and bibliographies. The authors include novelists, playwrights, and poets who have risen to prominence in the late 1980s as well as essayists, historians, biographers, critics, philosophers, and scientists who have made exceptional contributions to literature. Some included authors are Jean Baudrillard, Andrei Codrescu, Bharati Mukherjee, and Amy Tan. Previous volumes in the series cover Western literature from classical times through the 19th century. Annotation copyright by Book News, Inc., Portland, OR
In the 1920s, Americans talked of their times as “modern,” which is to say, fundamentally different, in pace and texture, from what went before—a new era. With the end of World War I, an array of dizzying inventions and trends pushed American society from the Victorian era into modernity. The New Era provides a history of American thought and culture in the 1920s through the eyes of American intellectuals determined to move beyond an older role as gatekeepers of cultural respectability and become tribunes of openness, experimentation, and tolerance instead. Recognizing the gap between themselves and the mainstream public, younger critics alternated between expressions of disgust at American conformity and optimistic pronouncements of cultural reconstruction. The book tracks the emergence of a new generation of intellectuals who made culture the essential terrain of social and political action and who framed a new set of arguments and debates—over women’s roles, sex, mass culture, the national character, ethnic identity, race, democracy, religion, and values—that would define American public life for fifty years.
There are so many books on so many aspects of the history of the United States, offering such a wide variety of interpretations, that students, teachers, scholars, and librarians often need help and advice on how to find what they want. The Reader's Guide to American History is designed to meet that need by adopting a new and constructive approach to the appreciation of this rich historiography. Each of the 600 entries on topics in political, social and economic history describes and evaluates some 6 to 12 books on the topic, providing guidance to the reader on everything from broad surveys and interpretive works to specialized monographs. The entries are devoted to events and individuals, as well as broader themes, and are written by a team of well over 200 contributors, all scholars of American history.
Traces the life of the noted historian, discusses his concern for social justice and unbiased historical research, and looks at his most influential works
Yakar L'Mordecai commemorates forty years of Rabbi Waxman's service to Temple Israel of Great Neck; it was initiated by his grateful congregants and carried through by his colleagues and friends. It mirrors his interests in and contributions to Jewish scholarship and thought, and is divided into four sections, each pertaining to an area in which Rabbi Waxman has been involved. Part I is a retrospective of Rabbi Waxman's career in the rabbinate and in Jewish scholarship; Part II, on Jewish thought, contains articles which reflect the honoree's broad knowledge of the topic, from Biblical studies to contemporary theology. Part III deals with Jewish-Christian relations, as well as the position of Jews in various parts of the world in their relations with the surrounding cultures, and Part IV with American Judaism. Along with the many other contributions, this volume contains articles by Rabbi Waxman's later father and wife and one by his son, Rabbi Jonathan Waxman.
Originally published in 1927 in a small-circulation amateur magazine, spanning the period from antiquity until the 1930s, and covering both the Anglo-American world and Continental Europe, Lovecraft’s essay remains unparallelled as a survey of horror literature in our hemisphere. Said literature’s emergence as a genre coincided with the institutional establishment of liberalism, which represents a diametrically opposed worldview. This would suggest that horror literature, even if inadvertently or subconsciously, represents an attempt at escaping the limitations of the secular, materialist, rationalist Weltanschauung of liberal modernity, as well as a desire for meaning in a world rendere...