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Alma W. Thomas
"In a collaboration between curators at The Columbus Museum and the Chrysler Museum of Art, Alma W. Thomas: Everything is Beautiful, works toward a primary objective: to introduce the Thomas-related materials housed at The Columbus Museum to a broader public, and to demonstrate how those materials reshape the narratives surrounding the artist. The wealth of material in The Columbus Museum's collection-from student work of the 1920s and marionettes from the 1930s, to home furnishings, ephemera, and little-known works on paper-offers a robust, but until now untold, account of Thomas's artistic journey. Taking cues from Thomas's wide-ranging interests and her broad network of collaborators and ...
For America
Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.
This is a Portrait If I Say So
The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O'Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three p...
Linn Meyers
Linn Meyers is best known for her intricate line-based paintings and drawings, and her large-scale installations. This book provides a comprehensive survey of site-specific wall drawings in museums and galleries since 2000, as well as the detailed preparatory drawings and plans created by the artist for these projects, plus recent paintings that inform, and are informed by, the site-specific works. Meyers's large projects require a great deal of endurance and involve drawing in the gallery space over the course of days, sometimes weeks or months, accumulating lines into dense and intricate compositions. The scale of these projects allows Meyers to respond to the existing architectural features, magnifying the wholly committed performativity of her process. On Meyers' exhibition for The Hammer Museum, Senior Curator Anne Ellegood wrote, "The sense of being present while viewing the work is also amplified at this larger scale, allowing viewers to experience the work not just visually but also physically. To see a wall drawing is to be surrounded by it and to feel oneself to be part of the work."
Alma W. Thomas
Catalog of an exhibition organized by and held at the Fort Wayne Museum of Art, Fort Wayne, Ind., Sept. 5-Nov. 8, 1998 and touring nationally through Jan. 9, 2000.
My Dear Stieglitz
His glory in Germany turns solemn with the onset of World War I and the death in combat of his close friend, a German officer named Karl von Freyburg - a loss vividly depicted in Hartley's renowned war motif paintings.".
Narcissus in the Studio
Among the most popular images in the Pennsylvania Academy of the Fine Arts' rich collection are self-portraits and depictions of studio life. This publication accompanies a landmark exhibition investigating the complex nature of artistic identity. Narcissus in the Studio features texts by scholars and prominent contemporary artists whose work has tirelessly explored life in the studio. It includes an enormous selection of self-portraits and portraits of fellow artists by more than 60 major American artists from the nineteenth century to the present: Gertrude Abercrombie, Robert Arneson, William Beckman, Joan Brown, Thomas Eakins, Joe Fig, Viola Frey, Gregory Gillespie, Red Grooms, George Grosz, Barkley L. Hendricks, Sarah McEneaney, Archibald Motley, Jr., Vik Muniz, Gladys Nilsson, Jim Nutt, Violet Oakley, John Frederick Peto, George Tooker and Benjamin West.
Field Language
"A collection of essays and images exploring the painting and poetry of artists Warren and Jane Rohrer of Lancaster County, Pennsylvania. Invites readers to consider relationships between global art movements and local visual cultures"--
Art and Death
This highly sensitive and beautifully written book looks closely at the way contemporary Western artists negotiate death, both as personal experience and in the wider community. Townsend discusses but moves beyond the 'spectacle of death' in work by artists such as Damien Hirst to see how mortality - in particular the experience of other people's death - brings us face to face with profound ethical and even political issues. He looks at personal responses to death in the work of artists as varied as Francis Bacon, Tracey Emin and Derek Jarman, whose film 'Blue' is discussed here in depth. Exploring the last body of work by the the Kentucky-based photographer Ralph Eugene Meatyard, and Jewish American installation artist Shimon Attie's powerful memorial work for the community of Aberfan, Townsend considers death in light of the injunction to 'love they neighbour'.
