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Bong Joon Ho
Brilliantly illustrated and designed by the London-based film magazine Little White Lies, Bong Joon Ho: Dissident Cinema examines the career of the South Korean writer/director, who has been making critically acclaimed feature films for more than two decades. First breaking out into the international scene with festival-favorite Barking Dogs Never Bite (2000), Bong then set his sights on the story of a real-life serial killer in 2003’s Memories of Murder and once again won strong international critical attention. But it was 2006’s The Host that proved to be a huge breakout moment both for Bong and the Korean film industry. The monster movie, set in Seoul, premiered at Cannes and became a...
BONG Joon-ho
BONG Joon-ho This book is the result of efforts to reach a deeper and broader understanding of the director BONG Joon-ho, who has been the subject of a great deal of popular interest and attention in the Korean society. "Memories of Murder" and "The Host" were both major box office successes in Korean film, but at the same time, they were films that looked upon the wounds and failures of modern Korean history in the most perceptive and challenging ways. As a result, BONG Joon-ho became almost unique in present-day Korean film in his ability to break away from commercial and creative pressures and realize the kind of films he wants to, when he wants to. Korean Film Directors Created by the Korean Film Council, this series offers deep insight into key directors in Korean film, figures who are not only broadening the range of art and creativity found in Korean-produced commercial films but also gaining increasingly strong footholds in international markets. Each volume features: - critical commentary on films - extensive interview - biography - complete filmography
Bong Joon-ho
Film Studies. Asian Studies. This book is the result of efforts to reach a deeper and broader understanding of the director Bong Joon-ho, who has been the subject of a great deal of popular interest and attention in Korean society in spite of his relatively short filmography of three feature films. After the experience of Barking Dogs Never Bite, it appears that the director clearly came to understand what he had to do to relate the story he wanted to tell in the way most suited to the public, yet most in line with his own cinephile impulses. Memories of Murder and The Host were both major box office successes in Korean film, but at the same time, they were films that looked upon the wounds and failures of modern Korean history in the most perceptive and challenging ways. As a result, Bong Joon-ho became almost unique in present-day Korean film in his ability to break away from commercial and creative pressures and realize the kind of films he wants to, when he wants to.
The Films of Bong Joon Ho
Bong Joon Ho won the Oscar® for Best Director for Parasite (2019), which also won Best Picture, the first foreign film to do so, and two other Academy Awards. Parasite was the first Korean film to win the Palme d’Or at Cannes. These achievements mark a new career peak for the director, who first achieved wide international acclaim with 2006’s monster movie The Host and whose forays into English-language film with Snowpiercer (2013) and Okja (2017) brought him further recognition. As this timely book reveals, even as Bong Joon Ho has emerged as an internationally known director, his films still engage with distinctly Korean social and political contexts that may elude many Western viewer...
The Host
Analysis and criticism of the film. This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? First because it is free, second because it is in eBook format, third because there are images that you cannot find on wikipedia.
A Look Inside South Korean Cinema
Hollywood films may dominate the world’s box offices today, but in Korea it’s the homegrown product that has been capturing the public’s attention. Korean films industry today and look inside of directors and stars. Korean film directors were getting major press at the world’s different film festivals. Exports were booming, and the films that reached overseas audiences found a warm reception there Contents Prologue Chapter One A Look Inside Korean Cinema The Korean Film Industry Today A Foreign Perspective Fostering New Talent Chapter Two Going Global Hallyu and Korean Film Working Internationally: Co-Productions Acclaimed Directors K-Movie Stars Chapter Three How Korean Film Got Her...
The Host
Filmfestspiele Cannes und Toronto, ganz großes Kino! Ein amerikanischer Stützpunkt kippt seinen giftigen Chemiemüll in einen nahegelegenen Fluss. Daraus entsteht mit der Zeit ein mutiertes amphibisches Riesenmonster, das aus dem Fluss steigt und seine Umgebung unsicher macht. Dabei ist es kein reiner Science-Fiction Streifen, denn der PARASITE-Regisseur Bong Joon-ho spickte die Geschichte auch mit politischen Anspielungen, Satire und Slapstickhumor und sprengte mit THE HOST die Besucherrekorde in Korea. Die spektakulären Digital-Effekte wurden von der US-Firma THE ORPHANAGE (THE DAY AFTER TOMORROW, HELLBOY, HERO, SKY CAPTAIN) erstellt.
Department of Transportation's Intelligent Vehicle Highway Systems Institutional and Legal Issues Program
This document contains project updates for the Intelligent Vehicle Highway Systems (IVHS) Institutional and Legal Issues Program. Through focused research, the department hopes to find solutions to specific problems facing IVHS participants and policy makers. The department is taking a careful look at lessons learned in IVHS operational tests and models for IVHS deployment. Analysis is underway to understand the impact and bvenefits IVHS deployment could have on air quality, privacy, user acceptance, and other areas of concern to society at large.
