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Over the last decade, journalism has undergone radical changes: new languages, actors and methods have risen especially due to the digital transformation, revolutionizing this field in unpredictable ways. This book collects the most relevant scientific outputs of the Erasmus+ Capacity Building in Higher Education Post-Crisis Journalism in Post-Crisis Libya: A Bottom-up Approach to the Development of a Cross-Media Journalism Master Program (PAgES), co-funded by the European Commission in the Erasmus+ Capacity Building in Higher Education framework. It is ideally divided into two parts: the first section focuses on the theoretical and epistemological challenges of contemporary journalism, while the second part deals with the experiences of journalism(s), evoking tools, technical skills, and practices that are required within the media industry. Addressing topics concerning artificial intelligence, the role of algorithms, citizen journalism, the impact of Covid-19 and its challenges, social media dissemination, and many more, it gives a comprehensive and plural overview of what journalism is, or can be, today.
This book contains the proceedings of a non-profit conference with the objective of providing a platform for academicians, researchers, scholars and students from various institutions, universities and industries in India and abroad, and exchanging their research and innovative ideas in the field of Artificial Intelligence and Information Technologies. It begins with exploring the research and innovation in the field of Artificial Intelligence and Information Technologies including secure transaction, monitoring, real time assistance and security for advanced stage learners, researchers and academicians has been presented. It goes on to cover: Broad knowledge and research trends about artifi...
This book explores the use of Blockchain and smart contract technologies to develop new ways to finance independent films and digital media worldwide. Using case studies of Alibaba and in-depth, on-set observation of a Sino-US coproduction, as well as research collected from urban China, Hong Kong, Europe, and the USA, Online Film Production in China Using Blockchain and Smart Contracts explores new digital platforms and what this means for the international production of creative works. This research assesses the change in media consciousness from young urban audiences, their emergence as a potential participative and creative community within dis-intermediated, decentralised and distribute...
The digital age has witnessed the development of a new kind of archive: immaterial, “living and moving,” largely user-generated, and conceived for managing a wide variety of audio-visual materials, besides traditional films and videos. The first part of this anthology investigates the ways in which media forms like web-documentaries, video art and digital art, web series, amateur productions, and also mobile films can be stored and preserved withinthe new digital repositories. The second part focuses on archival and preservation practices of the video game. This approach understands the archive not simply as a “memory box,” but as a fully contemporary practice that locates new media objects in the present and acknowledges their changing cultural and social configurations. The democratic, often immaterial, living, mobile nature of contemporary archives forces us to question whether or not the traditional notion of “the archive” still has a heuristic value. Or if it would be perhaps better to reject any “conventional” idea of archive and embrace the notion of anarchive.
La presente obra persigue responder a las cuestiones clave para la comprensión y el análisis crítico de la cultura visual contemporánea. Se abordan los nuevos conceptos básicos en los sistemas de imagen y grafismo digital y se tratan en detalle distintos procesos de trabajo.
Este libro se adentra en las distintas corrientes de transformación del sector audiovisual en plena era de la información y que afectan tanto a la concepción y el diseño de contenidos como a los procesos de producción, difusión y consumo. Nos encontramos ante un panorama de intensa interrelación entre formas culturales aparentemente contrapuestas: por un lado, aquellas que han emergido de la mano de los procesos de digitalización y que se caracterizan por su carácter no lineal, abierto, flexible, interactivo y participativo (como por ejemplo la comunicación móvil, los videojuegos o Internet) y, por otro, formas tradicionales que están en transformación (como el cine o la televis...
¿Qué tienen en común el arte digital, los juegos de localización (geotagging), o el audiovisual en Internet?. El estudio de las diversas formas artísticas y culturales de los nuevos medios ha cobrado interés gracias al nivel de desarrollo alcanzado por las tecnologías digitales en los últimos años ofreciendo nuevas posibilidades para la creación y la experiencia artística. La utilización de los nuevos medios, no sólo como herramientas de trabajo, sino como medios de producción, almacenamiento, (re)presentación, e interacción social es el rasgo compartido por todas estas prácticas, a la vez que define y constituye su propia especificidad. El presente libro aborda el estudio d...
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The Works of Shonda Rhimes, the first book in Bloomsbury's Screen Storytellers series, brings together a collection of essays that look critically at the works of this award-winning writer, producer, and CEO of the global media company, Shondaland. Shonda Rhimes's television series, and those created and produced through Shondaland, have left an important imprint on television history. Beginning with her groundbreaking series Grey's Anatomy, the series created under the umbrella of Rhimes's brand, including Private Practice, Scandal, How to Get Away with Murder, For the People, Station 19, Bridgerton, Inventing Anna, and Queen Charlotte: A Bridgerton Story, have delighted global audiences wi...