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The Mestizo/a Community of the Spirit
This work models a creative exercise in ecclesiology based on a Latino/a practical theology of the Spirit, which designs theological discourse based on its encounter with the Spirit in human culture. Hence, it is a theology appreciative of and attentive to the "multiple matrices and intersections" of the Spirit with cultures. Garcia-Johnson offeres an appreciative and critical analysis of the uses of culture among Latino/a theologians, followed by the proposal for a postmodern Spirit-friendly cultural paradigm based on the narratives of the cross and the Pentecost. He develops a practical theology for a Latino/a postmodern ecclesiology based on three native Latino/a theological concepts: mestizaje, accompaniment, and manana eschatology. The resulting ecclesial construct-The Mestizo/a Community of Manana-reflects a transforming manana vision and models the visible cruciform community in which the transforming praxis and historical transcendence of the Christ-Spirit works from within. The work sets forth practical guidelines for implementation of the ecclesial construct in the urban context of devastated communities and offers suggestions for further development in Latino/a theology.
The Scandalous God
* A rich and detailed examination of the historical and theological dimensions of the Cross
Teologia En Conjunto
Two aspects are fundamental to Hispanic/Latina theology: rich diversity and a collaborative spirit. In this groundbreaking book, Hispanic scholars come together to create a theology drawn from the collaboration of Latino and Latina Protestants in North America. The authors discuss a range of topics--God, Jesus Christ, the Holy Spirit, the importance of scripture, the church, humanity, the doctrine of sin, spirituality--and the challenges facing Hispanic/Latina Protestant theology.
The Twentieth Century
"Many of the essays are well worth reading, particularly for those with interests in recent historical theology, church history and the sociology of religion." -- Oliver D. Crisp, Themelios 26.1 (Autumn 2001)
The Ending of Mark and the Ends of God
Among his many contributions to New Testament studies, Donald Juel was perhaps best known for his treatment of the ending of Mark's Gospel. He saw the open-endedness of Mark as powerfully unsettling for the reader who desires to tame and predict God's actions. In this series of essays, edited by Beverly Roberts Gaventa and Patrick Miller, theologians begin with Juel's own work and reflect on the "unsettling" in the context of their own work.
Hispanics in America's Defense
This document pays tribute to the Hispanic American (HA) men and women who have served and continue to serve with courage and distinction in America's defense. Contents: overview (1492-1989); a salute to Hispanic fighter aces; (HA) recipients of the Medal of Honor; HA hostages during the takeover of the U.S. Embassy in Iran; HA officer killed in action in Libya; Navy ships christened in honor of Hispanics; HA generals and flag officers by military service; a selection of HA officer personnel; highest ranking HA enlisted personnel; the military academies and HA; HA civilians in DoD; HA within DoD. Over 100 photos.
Hispanics in America's Defense
This book offers a concise overview of key events in North American history, focusing on the military contributions of Hispanic Americans. It pays tribute to the bravery and service of Hispanic men and women who have played and continue to play a vital role in America's defense.
Living Stones in the Household of God
A full generation has passed since black theology burst onto the American religious scene, ignited by the powerful work of James H. Cone. Now an illustrious group of theologians takes the measure of black theology's legacy and explores the radically new context - ecclesial, social, global, and interreligious - that is setting the black theological agenda for tomorrow.
Sydney Pollack
Jeremiah Johnson, The Way We Were, Absence of Malice, Out of Africa, Tootsie, The Firm, Searching for Bobby Fischer--Sydney Pollack has produced, directed or appeared in some of the biggest and most influential films of the last quarter century. His emergence in Hollywood coincided with those of such other innovative directors as John Frankenheimer, George Roy Hill and Sidney Lumet, and with them he helped develop a contemplative style of filmmaking that was almost European in its approach but retained its commercial viability. Film-by-film, this work examines the directorial career of Sydney Pollack. One finds that his style is marked by deliberate pacing, ambiguous endings and metaphorical love stories. Topically, Pollack's films reflect social, culture and political dilemmas that hold some fascination for him, with multidimensional characters in place that generally break the stereotypical molds of the situations. Pollack's directing efforts on television are also detailed, as are his production and acting credits.
