Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Changuito
This text and audio package teaches timbales as played by the master percussionist Changuito. Topics include set-up, tuning, the clave, fills, independence exercises, listening recommendations, and a glossary of terms. Various styles are studied such as Danzon, Abanico, Cha-Cha-Cha, Mambo, Pilon, Mozambique, Merengsongo, Conga, 6/8 Rhythms, Timba, Songo, Laye, and Afro-Cuban. Examples on the recording are performed by Changuito.
Music and Revolution
Annotation A history of Cuban music during the Castro regime (1950s to the present.
Bolivia
Throughout its existence, Bolivia has witnessed prosperous times and difficult times. Its people are diverse and take pride in their customs. Today, Bolivia is a unique and interesting place to visit and study. Complete with vivid photographs and detailed information, this book examines Bolivias history, people, geography, languages, culture, and much more.
Jazz Improvisation
A collection of jazz exercises in all keys using material based on whole-tone scales. This unique book, with text presented in Spanish and English, will help jazz musicians gain confidence in improvisation and help them develop the technical skills necessary to be successful jazz improvisors. Nicolas Reinoso is a well-known saxophonist in South America, and he brings a fresh new perspective to jazz study. Endorsed by and with a foreword written by Paquito D'Rivera.
Hispanic New York
Over the past few decades, a wave of immigration has turned New York into a microcosm of the Americas and enhanced its role as the crossroads of the English- and Spanish-speaking worlds. Yet far from being an alien group within a "mainstream" and supposedly pure "Anglo" America, people referred to as Hispanics or Latinos have been part and parcel of New York since the beginning of the city's history. They represent what Walt Whitman once celebrated as "the Spanish element of our nationality." Hispanic New York is the first anthology to offer a comprehensive view of this multifaceted heritage. Combining familiar materials with other selections that are either out of print or not easily access...
From Tejano to Tango
Author of two books on Issac Albeniz, including Issac Albeniz: A Guide to Research (1998), Walter Aaron Clark has compiled thirteen essays that discuss the various aspects of Latin American music. The essays cover the social and political impact the music generated as well as the rhythmic development of the various genres. In this essential book, significant personalities, including Carmen Miranda, are discussed. The scope of the contributors is vast as divergent musical styles such as the Macarena dace craze, Bob Marley's reggae music and the seductive strains of the tango are analyzed.
Congas Full Circle
Congas Full Circle satisfies a missing link in percussion literature. This is the first book for congas and hand drumming that breaks down the patterns of various styles (almost 50!) into small sections that can be digested easier. Although there are many high quality books for hand drummers, the books merely notate the patterns without teaching the reader how to play the rhythms. Congas Full Circle will fill that void. The book includes many exercises to teach the reader how to play rudiments on congas while improving your quality of sound. There are also examples of styles for djembe, batá, bongos, and cajones with music spanning from early African patterns to modern day Salsa and Timba. With almost 400 pages, this is the most comprehensive book on congas available.
Cubano Be, Cubano Bop
Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century. The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spr...
