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The Spanish Origin of the Checkers and Modern Chess Game. Volume III.
Since 1987 we have defended in articles that the Spanish queen Isabella I of Castile (Isabel la Católica) was the new chess queen (dama) on the chessboard. Other publications were in 1990, 1994, 1997, and 2004. And of course, Marilyn Yalom studied our book during her visit to the National Library in The Hague (Holland) before she wrote Birth of the Chess Queen in 2004. In her book one cannot see that in 1987, 1990, and 1994 we already published material about Isabel la Catolica (Isabel I of Castile) being the new powerful dama or chess queen on the chessboard. In other words we can state here that we have been studying Spanish history and its chess literature for over 30 years. Since 2003 we have also known the development of the new bishop in chess.
The Poem Scachs d’amor (1475). First Text of Modern Chess.
The Obres e Trobes (the first book printed in Spain in 1474 in Valencia) is an art competition held on March 25 of that year. There are many poets who have poems and couplets in this art competition, and we find three poets among them, writers of scachs d'amor: Francesc Castellvi, Bernard Fenollar and Narcis de Vinyoles. The Obres e Trobes is considered to be the first literary work printed in Spain of which the only known copy in the world is preserved in the University Library of Valencia. It consists of 60 leaves without foliation and signature and is written in Roman letters on paper with hand and star watermark. The three poets, as we see, already knew each other. Seeing the relationship they had with King Ferdinand and knowing his passion for the game of chess, there may be another thing they thought about around 1475. It was time to change the figure of the queen and bishop on the chessboard and inform the King by means of their poem in the form of a manuscript."
The Training of Isabella I of Castile as the Virgin Mary by Churchman Martin de Cordoba in 1468
Today most chess historians agree that the weak chess queen, named "dame" in France as from the XIV century, changed to a powerful chess queen in Spain in 1475. Around this year we also see a change of the weak bishop to a strong bishop, according to the chess poem Scachs d'amor. In order to strengthen our hypothesis of Isabella I of Castile (Isabel la Católica) we have written a book about the new bishop and a book about Scachs d'amor in English. Concentrating now on Virgin Mary in relationship with Isabella I of Castile we observe that the Augustinian monastic Martin de Córdoba wrote in 1468 the work El Jardin de las donzellas. It was directed to Princess Isabel I of Castile with the intention to contribute to her education as future Queen. Cordoba was the first writer who draws equivalencies between Isabella I of Castile and Virgin Mary, which became one of her standard portrayals. Shorty thereafter we see the appearance of a new powerful chess queen.
A Plural Peninsula: Studies in Honour of Professor Simon Barton
A Plural Peninsula embodies and upholds Professor Simon Barton’s influential scholarly legacy, eschewing rigid disciplinary boundaries. Focusing on textual, archaeological, visual and material culture, the sixteen studies in this volume offer new and important insights into the historical, socio-political and cultural dynamics characterising different, yet interconnected areas within Iberia and the Mediterranean. The structural themes of this volume --the creation and manipulation of historical, historiographical and emotional narratives; changes and continuity in patterns of exchange, cross-fertilisation and the recovery of tradition; and the management of conflict, crisis, power and authority-- are also particularly relevant for the postmedieval period, within and beyond Iberia. Contributors are Janna Bianchini, Jerrilynn D. Dodds, Simon R. Doubleday, Ana Echevarría Arsuaga, Maribel Fierro, Antonella Liuzzo Scorpo, Fernando Luis Corral, Therese Martin, Iñaki Martín Viso, Amy G. Remensnyder, Maya Soifer Irish, -Teresa Tinsley, Sonia Vital Fernández, Alun Williams, Teresa Witcombe, and Jamie Wood. See inside the book
Antiquarian Literature in the Sixteenth Century
During the sixteenth century, antiquarian studies (the study of the material past, comprising modern archaeology, epigraphy, and numismatics) rose in Europe in parallel to the technical development of the printing press. Some humanists continued to prefer the manuscript form to disseminate their findings – as numerous fair copies of sylloges and treatises attest –, but slowly the printed medium grew in popularity, with its obvious advantages but also its many challenges. As antiquarian printed works appeared, the relationship between manuscript and printed sources also became less linear: printed copies of earlier works were annotated to serve as a means of research, and printed works could be copied by hand – partially or even completely. This book explores how antiquarian literature (collections of inscriptions, treatises, letters...) developed throughout the sixteenth century, both in manuscript and in print; how both media interacted with each other, and how these printed antiquarian works were received, as attested by the manuscript annotations left by their early modern owners and readers.
Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)
(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.
Death and Gender in the Early Modern Period
IIn premodern Europe, the gender identity of those waiting for Doomsday in their tombs could be reaffirmed, readjusted, or even neutralized. Testimonies of this renegotiation of gender at the encounter with death is detectable in wills, letters envisioning oneself as dead, literary narratives, provisions for burial and memorialization, the laws for the disposal of those executed for heinous crimes and the treatment of human remains as relics.
The Dutch Revolt Through Spanish Eyes
Historical and literary works from the Spanish Golden Age offer a wealth of information about the Spanish view of the conflict in the Netherlands during the Dutch Revolt and the ensuing Eighty Years' War (1568-1648). The war in the cold north was to become a fixed component in the lives of the Spaniards of the Golden Age for many years. This book reconstructs the images that the Spanish had of the Netherlands and its inhabitants. These images are inextricably intertwined with the picture that the Spanish constructed of themselves as participants in the conflict. This book follows the developments of these images from the construction of an image of the enemy that reached a climax between 162...
Sword of Luchana
The Sword of Luchana is the first full-length biography of Baldomero Espartero, the most important figure in Spain's modern history.
Death in Old Mexico
An evocative history of colonial Mexico's 'crime of the century' and its lasting impact on the new Mexican nation in the nineteenth century.
