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These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, fro...
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This volume commemorates the career of Richard Fletcher and his remarkable contribution to our understanding of the medieval world. The seventeen papers included here reflect the three main areas of Fletcher's scholarly endeavours: Church and society in medieval Spain; Christian-Muslim relations, and the history of the post-Roman world.
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Spain's First Carlist War was an unlikely agent of modernity. It pitted town against country, subalterns against elites, and Europe's Liberal powers against Absolute Monarchies. This book traces the individual, collective and international experience of this conflict, giving equal attention to battle fronts and home fronts.