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Beethoven and the Construction of Genius
"It was high time that someone tried to explain more fully, and on the basis of the known documents, the course of Beethoven's meteoric rise to fame in Vienna at the end of the eighteenth century. . . . I would consider this cleverly written and authoritative book to be the most important about Beethoven in twenty-five years. No one considering the subject will be able to overlook DeNora's research."—H.C. Robbins Landon, author of Beethoven: His Life, Work, and World "This is a study with the power to reshape our perceptions of Beethoven's first decade in Vienna and substantially refine our notions of the creation and foundations of Beethoven's career."—William Meredith, Ira Brilliant Ce...
Die Occupation Bosniens Und Der Hercegovina Durch K.K.Truppen Im Jahre 1878
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
1715-1796
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Beethoven Forum
Glenn Stanley opens Beethoven Forum 6 with a consideration of the “piano sonata culture” of the late eighteenth century and how Beethoven’s sonatas influenced this culture. Lawrence Kramer explores the "Tempest" sonata and the way it exemplifies "one of the leading intellectual projects of the Enlightenment, the project of speculative anthropology or 'universal history.'" Elaine R. Sisman examines the "lyrical," "small-scale" sonatas of Beethoven’s middle period in relation to his renewed preoccupation with the idea of "fantasia." Nicholas Marston concludes the volume’s consideration of the piano sonatas with a study of the development of a musical idea in the "Hammerklavier" sonat...
