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Half of What I Say Is Meaningless
Ths is a series of memoirs, set by turns in Joseph Bathanti's hometown of Pittsburgh and in his ultimate home in North Carolina where he landed in 1976 as a VISTA Volunteer assigned to the North Carolina Department of Correction. Though these essays are not queued chronologically, they form a seamless chronicle of contemplation on the indelible stamp of home, family, ancestry, and spirituality, regardless of locale.
Crossing the Rift: North Carolina Poets on 9/11 and Its Aftermath
No matter how you were touched by the events of September 11, 2001, that moment continues to resonate. Crossing the Rift: North Carolina Poets on 9/11 & Its Aftermath illuminates not only what happened that day, but what continues to challenge us twenty years later: Islamophobia, the vilification of refugees and asylum-seekers, nationalism, supercharged military budgets, and rises in virulent racism and domestic terrorism. Edited by former North Carolina poet laureate Joseph Bathanti and 9/11 family member and former literature and theater director for the North Carolina Arts Council David Potorti, Crossing the Rift takes head-on what Carolyn Forche calls "the poetry of witness" and its advocacy "for a shared sense of humanity and collective resistance."
Brothers Like These
A powerful account of Vietnam War Veterans recounting in prose and poetry their experiences before, during, and after the Vietnam War.
Joseph Bathanti: Twelve Poems
Twelve Poems, by Joseph Bathanti, is the 8th issue in a special series of digital and print chapbooks to honor the poets and writers who have published in the St. Andrews Review or through the St. Andrews University Press since 1969.
Everyone Loves a Good Train Wreck
Why can't we look away? Whether we admit it or not, we're fascinated by evil. Dark fantasies, morbid curiosities, Schadenfreude: As conventional wisdom has it, these are the symptoms of our wicked side, and we succumb to them at our own peril. But we're still compelled to look whenever we pass a grisly accident on the highway, and there's no slaking our thirst for gory entertainments like horror movies and police procedurals. What makes these spectacles so irresistible? In Everyone Loves a Good Train Wreck, the scholar Eric G. Wilson sets out to discover the source of our attraction to the caustic, drawing on the findings of biologists, sociologists, psychologists, anthropologists, philosoph...
The Beats, Black Mountain, and New Modes in American Poetry
The Beats, Black Mountain, and New Modes of American Poetry explores correspondences amongst the Black Mountain and Beat Generation writers, two of most well-known and influential groups of poets in the 1950s. The division of writers as Beat or Black Mountain has hindered our understanding of the ways that these poets developed from mutual influences, benefitted from direct relations, and overlapped their boundaries. This collection of academic essays refines and adds context to Beat Studies and Black Mountain Studies by investigating the groups’ intersections and undercurrents. One goal of the book is to deconstruct the Beat and Black Mountain labels in order to reveal the shifting and fluid relationships among the individual poets who developed a revolutionary poetics in the 1950s and beyond. Taken together, these essays clarify the radical experimentation with poetics undertaken by these poets.
Light at the Seam
Light at the Seam, a new collection from North Carolina poet Joseph Bathanti, is an exploration of mountaintop removal in southern Appalachian coal country. The volume illuminates and champions often invisible people residing, in a precarious moment in time, on the glorious, yet besieged, Appalachian earth. Their call to defend it, as well as their faith that the land will exact its own reckoning, constitutes a sacred as well as existential quest. Rooted in social and restorative justice, Light at the Seam contemplates the earth as fundamentally sacramental, a crucible of awe and mystery, able to regenerate itself and its people even as it succumbs to them. More than mere cautionary tale, this is a volume of hope and wonder.
The Life of the World to Come
In a weaving together of contradictory realms—past and present, rustbelt city and rural/urban South, old-world Catholicism and backwoods Protestantism—Joseph Bathanti draws readers into the 1970s as protagonist George Dolce faces major upheaval in The Life of the World to Come. George aspires to leave his blue collar, Catholic neighborhood of East Liberty in Pittsburgh. He is on the cusp of graduation from college and headed for law school when he becomes entangled in a local gambling ring. After his father gets laid off at the steel mill, George dramatically increases his wagering to help his parents with finances. What's more, he allows his boss at his real job and love interest's fath...
East Liberty
1955, an Italian-American neighborhood in Pittsburgh. Roberto (Bobby) Renzo, the novel's fatherless narrator and main character, lives with Francene Renzo, his beautiful, mysterious, and unconventional mother who gave birth to him out of wedlock. While urged by the nuns at his school to pursue the priesthood -- though his dream is to be a big-league baseball player -- Bobby is drawn toward the temptations of the secular world, and finds himself involved in petty crimes and seduced by his awakening sexuality. As he emerges from his childhood cloud of innocence, his desire to know about his father becomes acute, and he is forced to confront the confusion and contradictions that rule his life.
Light at the Seam
Light at the Seam, a new collection from North Carolina poet Joseph Bathanti, is an exploration of mountaintop removal in southern Appalachian coal country. The volume illuminates and champions often invisible people residing, in a precarious moment in time, on the glorious, yet besieged, Appalachian earth. Their call to defend it, as well as their faith that the land will exact its own reckoning, constitutes a sacred as well as existential quest. Rooted in social and restorative justice, Light at the Seam contemplates the earth as fundamentally sacramental, a crucible of awe and mystery, able to regenerate itself and its people even as it succumbs to them. More than mere cautionary tale, this is a volume of hope and wonder.
