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The true crime story of a New York mother who killed and a daughter who wouldn’t die, from the author of A Killer’s Touch and Watch Mommy Die. Anti-Freeze For A Husband It looked like a suicide. A man’s corpse on the bathroom floor—next to a half-empty glass of anti-freeze. But fingerprints on the glass belonged to the deceased’s wife, Stacey Castor. And a turkey baster in the garbage had police wondering if she force-fed the toxic fluid down her husband’s throat. Pills For A Daughter In desperation, Stacey concocted a devious plan. She mixed a deadly cocktail of vodka and pills, then served it to her twenty-year-old daughter Ashley. The authorities would find Ashley with a suici...
In 1890, The Snake’s Pass was published in serialized form in the periodical The People. It is the story of Arthur Severn, an Englishman who has inherited wealth and a title through an aunt who took him under her wing to the exclusion of closer relations. His inheritance includes land in Ireland, and now that he is a man of leisure, he decides to tour the west of Ireland. As Bram Stoker’s first full-length novel, The Snake’s Pass is a heady blend of romance, travel narrative, adventure tale, folk tradition, and national tale. This early novel shows that, long before Dracula, Stoker used the genre of the novel to engage with questions of identity, gender, ethnic stereotype, and imperial...
KATY DIED THREE DAYS AFTER THE BRUTAL ATTACK. JUSTICE ARRIVED THREE DECADES LATER. In the early morning hours of August 29, 1986, Clarkson University sophomore Katy Hawelka – bright, pretty and full of life – strolled back to her upstate New York campus after a night out. On the dimly lit path beside the university’s ice hockey arena, a stranger emerged from the darkness. The brutal sexual assault and strangulation that followed rocked the campus and the local community. When Katy was declared brain-dead three days later, her family’s nightmare had only just begun. Terry Connelly soon learned details about her daughter’s death that would make her blood boil. From the bungling campus guards who could have stopped the murder, to mistakes by others that allowed the killer to wander the streets committing violence, Katy's mother became certain of one thing: The criminal justice system only meant “justice for the criminals.” A STRANGER KILLED KATY is the true story of a life cut tragically short, and of the fight by a grieving mother and others more than 30 years later to ensure that a killer would spend the rest of his life behind bars.
Shakespeare’s presence in Joyce’s work is tentacular, extending throughout his career on many different levels: cultural, structural, lexical, and psychological; yet a surprisingly long time has passed since the last monograph on this literary nexus was published. Joyce/Shakespeare brings together fresh work by internationally recognized Joyce scholars on these two icons, reinvigorating our understanding of Joyce at play with the Bard. One way these essays revitalize the discussion is by moving well beyond the traditional Joycean challenge of “thinking Shakespearean” by “thinking Hamletian,” redefining the field to include works like Troilus and Cressida, Othello, and The Tempest. This collection also transforms our understanding of how Hamlet works in and for Joyce. In compelling essays that introduce new variables to the equation such as Trieste, Goethe, and Futurism, Hamlet’s role in Joyce gains fresh mobility. The Danish prince’s shadow, we learn, can still cast itself in unpredictable shapes, making Joyce/Shakespeare as rewarding in its analyses of this well-studied pairing as it is when it considers fresh Shakespearean matches.
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