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Memoirs of Joseph Grimaldi
In "Memoirs of Joseph Grimaldi," the pioneering English clown Joseph Grimaldi invites readers into the vibrant world of early 19th-century theatre. This autobiographical work intricately blends humor with poignant reflections on the rigors of performance life, revealing the cultural significance of clowning during a transformative period in British entertainment. Grimaldi's literary style is marked by a lively and engaging prose that mirrors his theatrical persona, allowing readers to experience both the joy and sorrow that defined his career as a performer. The memoir serves as a crucial document, reflecting the evolution of clowning as an art form and its role within the broader context of...
The Pantomime Life of Joseph Grimaldi
A fascinating history of theatre told through the story of Britain's first ever pantomime clown
The Pantomime Life of Joseph Grimaldi
The son of a deranged Italian immigrant, Joseph Grimaldi was the most celebrated of English clowns. One of the first celebrity comedians, his friends included Lord Byron and the actor Edmund Kean and his memoirs were edited by the young Charles Dickens.
Memoirs of Joseph Grimaldi
In 1837 Charles Dickens, then twenty-five years old, was asked to 'tidy up' Joseph Grimaldi's autobiography – he ended up re-writing most of it. Joseph Grimaldi (1778-1837), one of the greatest English clowns and pantomimes of all time, was born in London to an Italian ballet-master and a dancer in the theatre's corps-de-ballet. The death of Grimaldi's father when he was nine plunged the family into debt. He was introduced to the stage at the age of two and began performing at the Sadler's Wells theatre at the age of three. Grimaldi's fame as a pantomime clown was unequalled and he is credited as an innovator. He introduced the tradition of audience participation, of poking fun at spectators, and generally the modern concept of the clown as such. He died a poor and physically crippled man.
Memoirs of Joseph Grimaldi
It is some years now, since we first conceived a strong veneration for Clowns, and an intense anxiety to know what they did with themselves out of pantomime time, and off the stage. As a child, we were accustomed to pester our relations and friends with questions out of number concerning these gentry;—whether their appetite for sausages and such like wares was always the same, and if so, at whose expense they were maintained; whether they were ever taken up for pilfering other people's goods, or were forgiven by everybody because it was only done in fun; how it was they got such beautiful complexions, and where they lived; and whether they were born Clowns, or gradually turned into Clowns as they grew up. On these and a thousand other points our curiosity was insatiable.
