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Homer Simpson Goes to Washington
The modern landscape of American entertainment is filled with commentary on the state of the union. Viewers turn to The Daily Show instead of Fox or CNN, satirical films such as Wag the Dog, cartoons like The Simpsons, or controversial action dramas similar to 24 in order to learn more about current events in the United States. Popular culture is educating America more than the nightly news, aiding viewers in their quest to understand the American political system. In Homer Simpson Goes to Washington: American Politics through Popular Culture, Joseph J. Foy and other contributing scholars offer diverse political perspectives through the framework of popular culture. From the classic film Mr. Smith Goes to Washington to the cutting-edge television program Chappelle's Show, a wide spectrum of entertainment media is used to explain the complexities of U.S. politics and how audiences engage with them. Popular culture and politics have never been so intertwined in the American consciousness as they are today. As political knowledge becomes increasingly fragmented, Homer Simpson Goes to Washington explains how popular culture can actually help connect people to their government.
The Forest and the EcoGothic
This book offers the first full length study on the pervasive archetype of The Gothic Forest in Western culture. The idea of the forest as deep, dark, and dangerous has an extensive history and continues to resonate throughout contemporary popular culture. The Forest and the EcoGothic examines both why we fear the forest and how exactly these fears manifest in our stories. It draws on and furthers the nascent field of the ecoGothic, which seeks to explore the intersections between ecocriticism and Gothic studies. In the age of the Anthropocene, this work importantly interrogates our relationship to and understandings of the more-than-human world. This work introduces the trope of the Gothic ...
SpongeBob SquarePants and Philosophy
SpongeBob SquarePants and Philosophy is designed to introduce fans of SpongeBob SquarePants to some of the great thinkers and questions in philosophy. The essays can be shared by young and old alike, kindling new interest in philosophy and life’s big questions. What keeps SpongeBob “reeling in” major audiences on a daily basis is that underneath the lighthearted and whimsical exterior are the seeds of long-standing and important philosophical discussions about identity and the self, our obligations toward others, benefits and tensions of the individual in community, principles of the marketplace and environmental ethics, and questions of just how exactly Jack Kahuna Laguna can build a ...
The Philosophy of The X-Files
In The Philosophy of The X-Files, Dean A. Kowalski has gathered a remarkable cast of contributors to shed light on the philosophical mysteries of the television show The X-Files. With sections devoted to the show's credos, such as "The Truth Is Out There," individual characters, and specific episodes, The Philosophy of The X-Files illuminates the philosophical assumptions and presuppositions of the show as well as presents discussions through the show to help the reader better understand philosophy and philosophical inquiry.
The Philosophy of Ang Lee
Ang Lee (b. 1954) has emerged as one of cinema's most versatile, critically acclaimed, and popular directors. Known for his ability to transcend cultural and stylistic boundaries, Lee has built a diverse oeuvre that includes films about culture clashes and globalization (Eat Drink Man Woman, 1994, and The Wedding Banquet, 1993), a period drama (Sense and Sensibility, 1995), a martial arts epic (Crouching Tiger, Hidden Dragon, 2000), a comic book action movie (Hulk, 2003), and an American western (Brokeback Mountain, 2005). The Philosophy of Ang Lee draws from both Eastern and Western philosophical traditions to examine the director's works. The first section focuses on Taoist, Confucian, and...
Haunted Nature
This volume is a study of human entanglements with Nature as seen through the mode of haunting. As an interruption of the present by the past, haunting can express contemporary anxieties concerning our involvement in the transformation of natural environments and their ecosystems, and our complicity in their collapse. It can also express a much-needed sense of continuity and relationality. The complexity of the question—who and what gets to be called human with respect to the nonhuman—is reflected in these collected chapters, which, in their analysis of cinematic and literary representations of sentient Nature within the traditional gothic trope of haunting, bring together history, race, postcolonialism, and feminism with ecocriticism and media studies. Given the growing demand for narratives expressing our troubled relationship with Nature, it is imperative to analyze this contested ground. “Chapter 6” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Colombia’s Forgotten Frontier
The first literary geography of the Putumayo, exploring its history and enduring significance through literature of and on this Colombian region by Latin American, US and European writers.
Grief in Contemporary Horror Cinema
Over the course of the past two decades, horror cinema around the globe has become increasingly preoccupied with the concept of loss. Grief in Contemporary Horror Cinema: Screening Loss examines the theme of grief as it is represented in both indie and mainstream films, including works such as Jennifer Kent's watershed film The Babadook, Juan Antonio Bayona's award-sweeping El orfanato, Ari Aster's genre-straddling Midsommar, and Lars von Trier's visually stunning Melancholia. Analyzing depictions of grief ranging from the intimate grief of a small family to the collective grief of an entire nation, the essays illustrate how these works serve to provide unity, catharsis, and—sometimes—healing.
Humour as Politics
This book argues that recent developments in contemporary comedy have changed not just the way we laugh but the way we understand the world. Drawing on a range of contemporary televisual, cinematic and digital examples, from Seinfeld and Veep to Family Guy and Chappelle’s Show, Holm explores how humour has become a central site of cultural politics in the twenty-first century. More than just a form of entertainment, humour has come to play a central role in the contemporary media environment, shaping how we understand ideas of freedom, empathy, social boundaries and even logic. Through an analysis of humour as a political and aesthetic category, Humour as Politics challenges older models of laughter as a form of dissent and instead argues for a new theory of humour as the cultural expression of our (neo)liberal moment.
Jeopardy! and Philosophy
Since its debut in 1964, Jeopardy! has been one of America’s favorite and longest-running daytime quiz shows. It turns the question-answer format of traditional quiz shows on its head and requires contestants to pose correct questions to answers in selected categories. While mining information and facts from Alchemy to Zoology, Jeopardy!, is a uniquely intellectual, erudite, and challenging daytime television program. Far beyond entertaining its fans with nail-biting contests of knowledge, memory, and speed, it all but requires them to participate. Few people watch Jeopardy! without pressing an invisible button and blurting out questions to their TV screen. Because of this personal and int...
