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Ends.
As consumers and providers we overlook the importance of healthy, coherent endings. There was once a rich culture of reflection and responsibility, but over recent centuries this has been lost. Producing a mixture of long term societal oversight, and short term denial. We are left with a bias customer lifecycle that is limited to the exciting vocabulary geared strictly around all things new. Giving rise to guilt-free consumers, an overly-blamed business sector and a society which finds itself at a loss when it needs to grapple with responsibility and consumptions biggest ills. In a world awash with start-ups and new tech, this book tells you why its critical we start considering endings. 'Ri...
A Soviet Theatre Sketch Book
First Published in 1951, A Soviet Theatre Sketch Book presents Joseph Macleod's take on Russian Theatre in a semi-fictional way to show the effect of the productions upon different audiences. In this book the author writes less immediately about the Soviet Union and does not depend on topicality or stop press news.
The Ecliptic
Poetry. Edited by Richard Owens. First published by Faber & Faber in 1930, THE ECLIPTIC is a lost modernist classic. Complex in structure, rich in music, it was hailed by Morton Dauwen Zabel in Poetry as a new "Dawn in Britain." Basil Bunting declared, "The Ecliptic interested me more than any new thing since The Waste Land..." Richard Owens explains in his afterword to this edition: "The poem offers the narrative of a single consciousness in twelve parts, each of which corresponds to one of twelve constellations in the Western zodiac. It begins with Aries and closes with Pisces, moving from birth to death, with each section conveying a mood or quality specific to its phase of life and corresponding astrological sign."
The New Soviet Theatre
First Published in 1943, The New Soviet Theatre presents Joseph Macleod’s take on the development and rapid changes in the Soviet Theatre since late 1930s. Through scattered articles and reports, books and bulletins, and his own visits to the USSR, Macleod showcases what we know as ‘Socialist Realism’. He brings themes like the shortcomings of the old theatre; the audience beyond the Caucasus; new socialist audiences; Alexey Popov of the Central Theatre of the Red Army; new writers and new plays; and popularity of Shakespeare both in the central theatres and in remoter and unexpected places. Written graphically but founded on scholarship this book will be an essential read for scholars and researchers of history of theatre, European theatre, theatre and performance studies.
The Sisters D' Aranyi
First published in 1969, The Sisters d' Aranyi traces the careers, personalities and musical development of Jelly d' Aranyi and Adila Fachiri, outstanding violinists in Britain and Hungarian great nieces of Josef Joachim, with insight and a wealth of anecdote and description. The book contains fresh lights on figures such as Joachim himself, Elgar, Ravel and Vaughan Williams, Casals, Suggia, and Myra Hess, Aldous Huxley, Einstein and Schweitzer, Balfour, Asquith and Neville Chamberlain. There are illuminating comments on music from Bach to the present day, and also a chapter on the mysterious affair of the Imprisoned Schumann Violin Concerto, and how it was found and liberated. These two consummate musicians were, however, part of a movement towards greater sincerity in music- a tendency not yet sufficiently recorded by musicologists. To set them in their time, this biography contains a most readable history of music in Britain with some original observations on the nature of music itself in performance. This book is an essential read for students of music, music history, literature, performance studies, for violin players and also for general music lovers.
The Death of Uncle Joe
An exploration into the impact of the Stalinist purges on the lives, families and contacts of members of the British Communist Party.
No Great Mischief
In 1779, driven out of his home, Calum MacDonald sets sail from the Scottish Highlands with his extensive family. After a long, terrible journey he settles his family in 'the land of trees', and eventually they become a separate Nova Scotian clan: red-haired and black-eyed, with its own identity, its own history. It is the 1980s by the time our narrator, Alexander MacDonald, tells the story of his family, a thrilling and passionate story that intersects with history: with Culloden, where the clans died, and with the 1759 battle at Quebec that was won when General Wolfe sent in the fierce Highlanders because it was 'no great mischief if they fall'.
Tenderness
"Powerful, moving, brilliant . . . an utterly captivating read, and I came away from it with this astonished thought: There's nothing this writer can't do." --Elizabeth Gilbert For readers of A Gentleman in Moscow and Z: A Novel of Zelda Fitzgerald, an ambitious, spellbinding historical novel about sensuality, censorship, and the novel that set off the sexual revolution. On the glittering shores of the Mediterranean in 1928, a dying author in exile races to complete his final novel. Lady Chatterley's Lover is a sexually bold love story, a searing indictment of class distinctions, and a study in sensuality. But the author, D.H. Lawrence, knows it will be censored. He publishes it privately, l...
Poetry, Modernism, and an Imperfect World
This book shows how modernist poetry understood itself to be complicit in the social injustice and unhappiness of its time. It will appeal to general readers with an interest in poetry, to scholars and students interested in the theory of poetry and the history of the concept of poetry, and to scholars and students working in modernist studies and on twentieth-century literature.
People of Florence
First Published in 1968, People of Florence raises the question what makes a city? This is neither a guidebook nor a typical sociological treatise, but the portrait of a people. Trinkets of history are lightly painted in to give background to what the author calls 'locality' Florence of today as formed by her past and by the physical conditions of Tuscany. Two principal chapters are intimately concerned with the flood of 1966. The author also takes us through the relation between the individual liberties in Florence and the bureaucratic controls of the Government in Rome, along with the architecture, art, music, theatre, song birds, flowers, trees, food and drink, public ceremonies, games, ancient rites, and human stories. This book will be an interesting read for scholars and researchers of sociology, urban history, social anthropology, cultural studies and for general readers interested to know about Florence.
