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Good Lookin': A Joe Turner Mystery
From the gang-ravaged streets of inner-city Oakland to the rolling hills of Berkeley, California, attorney Joe Turner defends the most hardened criminals. Confronted with an unlikely murderer in a modern-day whodunnit, Turner's latest case seems impossible to unravel. At its heart is a decade-old murder and a tangled web of family, loyalty, and devotion that has the trial hanging in the balance. Viewed through the prism of the unique bond of twins, Good Lookin' asks how far each of us will go to protect the ones we love.
Joseph Turner
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How to Paint Like Turner
JMW Turner is one of the greatest artists Britain has ever produced. His watercolours, with their extraordinary effects of shifting light and dramatic skyscapes, are especially highly regarded. For the first time, the secrets of Turner's technique are revealed, allowing present-day watercolourists to learn from his achievements.This book combines unrivalled knowledge of Turner's working methods from Tate curators and conservators with practical advice from some of the world's most respected watercolour experts. Twenty-two thematic exercises are illustrated with Turner's works. Expert contemporary watercolourists explain, step-by-step, how to paint a similar composition, learning from Turner's techniques. Packed with invaluable information, from the materials Turner used to achieve the masterpieces we know and love today, to the modern materials the twenty-first-century watercolour artist will need.Backed by the authority of Tate, the world centre for Turner scholarship, with a glossary of technical terms, this is an invaluable resource both for lovers of Turner's art and of watercolour painting.
The Turner Book
J.M.W. Turner was a fascinating and enigmatic figure. Both astonishingly prolific and extraordinarily innovative, he is widely seen as the greatest British landscape painter of them all, anticipating and surpassing the Impressionists in his dramatic interpretations of the effects of light and colour. The Turner Book goes beyond the usual interpretations of the artist, revealing the extraordinary self-belief and ambition that allowed him to continue steadfastly with his experimentation in the face of hostile critical attack. The book examines in detail key works and the techniques by which Turner realised them and features revealing extracts from his notebooks, travel journals and poetry. Beautifully illustrated with both famous and unknown works and ranging over the entire course of the artist's career, this is the essential guide to Turner's life and work. Sam Smiles is Professor of Art History at the University of Plymouth at Exeter and the author of numerous acclaimed books, including J.M.W. Turner, Two-way Traffic: British Art and Italian Art 1880-1980 and The Image of Antiquity: Ancient Britain and the Romantic Imagination.
The Late Works of J.M.W. Turner
An exploration of Turner's final, vital years, including new readings of some of his most significant paintings0 The paintings and drawings Joseph Mallord William Turner (1775-1851) produced from 1835 to his death in 1851 are seen by many as his most audacious and compelling work, a typical example of "late style." In this study, Sam Smiles goes beyond late style, with its focus on formal qualities and assumptions about personal expression, as an explanatory framework for Turner's late works. Instead, he argues that Turner, in his final fifteen years, was an artist entirely engaged with his own times. Smiles examines the artist's critical reception in these years and scrutinizes accounts that presumed Turner's physical and mental health collapsed in his seventies, to see what can be reliably said about his work as he aged. Emerging from this study is an artist who used his final years to consolidate the principles that had motivated him throughout his career.
Joseph Turner
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A Study Guide for August Wilson's "Joe Turner's Come and Gone"
A Study Guide for August Wilson's "Joe Turner's Come and Gone," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Turner, the Fighting Temeraire
The Temeraire, a 98-gun ship of the line, had fought gallantly beside Nelson's Victory at the Battle of Trafalgar in 1805. After Trafalgar there were no more major naval battles - the Napoleonic wars ended in 1815 - and like many other warships, the Temeraire was relegated to harbour duties. By 1838, 40 years old, she was decaying; she was stripped of reusable materials and sold for the value of her timbers to a Rotherhithe ship-breaker. J. M. W. Turner's 'The Fighting Temeraire, tugged to her last berth to be broken up, 1838', one of the best-loved pictures in the National Gallery, depicts the passing of the Temeraire to her doom. From her inglorious final journey - a huge but powerless vessel without masts, rigging, sails or flags, towed by two steam tugs - Turner made a magnificent and deeply symbolic painting.
Turner
The man behind the paintings: the extraordinary life of J. M. W Turner, one of Britain's most admired, misunderstood and celebrated artists J. M. W. Turner is Britain's most famous landscape painter. Yet beyond his artistic achievements, little is known of the man himself and the events of his life: the tragic committal of his mother to a lunatic asylum, the personal sacrifices he made to effect his stratospheric rise, and the bizarre double life he chose to lead in the last years of his life. A near mythical figure in his own lifetime, Franny Moyle tells the story of the man who was considered visionary at best and ludicrous at worst. A resolute adventurer, he found new ways of revealing Britain to the British, astounding his audience with his invention and intelligence. Set against the backdrop of the finest homes in Britain, the French Revolution and the Industrial Revolution, this is an astonishing portrait of one of the most important figures in Western art and a vivid evocation of Britain and Europe in flux.
